A LADA screening programme for the 2016 Venice International Performance Art Week: a collection of documentation and artists’ films looking at pain and performance.
Includes:
Marina Abramovic – On ‘Rhythm O’, 1974, 2013, 3’07” ; Ron Athey – Ron’s Story, 2001, 4’44”; Marcel.Li Antunez Roca – Epizoo, 1994, 8’29; Franko B – Don’t Leave Me This Way, 2009, 5’03”; Wafaa Bilal – On ‘Shoot An Iraqi’, 2007, 2’21”; Rocio Boliver – Times Go By and I Can’t Forget You: Between Menopause and Old Age, 2013, 4’18”; Cassils – The Powers That Be, 2016, 2’24”; Bob Flanagan – Cystic Fibrosis Song, 1990’s 1’32”; Regina Jose Galindo – Lucha, 2002, 3’37”; jamie lewis Hadley – this rose made of leather, 2012, 9’10”; Nicola Hunter & Ernst Fischer – Passion/Flower, 2012, 4’02”; Oleg Kulik – Dog House 1996, 4’10”; Martin O’Brien – Taste of Flesh, 2015, 2’59”; Kira O’Reilly – Wet Cup, 2000, 2’29”; ORLAN – Successful Operation, 1990, 6’16”; Petr Pavlensky – Radical Artist In Court – Ukraine Today News Item, 2015, 1’57”
Artists Katie Etheridge & Simon Persighetti team up with shoppers, traders and market enthusiasts to create a pick and mix selection of ways to navigate and explore the market as trading place, social space and playing space. The Mis-Guide was originally produced for Compass Festival.
Calendar including photos from Belfast Beyond Performance events and scheduled Performance Monthlies.
A limited edition publication exploring a series of innovative live performances and events.
Calendar including photos from Belfast Beyond Performance events and scheduled Performance Monthlies.
Programme for the international festival of live arts, incorporating the National Review of Live Art (NRLA); 3/2-15/3 2003. Includes Adrian Heathfield on Goat Island, Lois Keidan on live art platforms and Marianne van Kerkhoven on Raimund Hoghe.
Includes: Salavation poster and flyer, a production package, and a usb with video and photo documentation.
Review of Athey's Messianic Remains at the Performance studies International symposium.
Innocente's dissertation from Nuova Accademia di Belle Arti Milano.
In Italian.
Video installation, inspired by cases of institutional abuse in Ireland, especially the Magdalene Laundries.
iIn Japanese.
Misc folder 6.
Critically engaging with examples of stage combat, rape, terrorism, wrestling and historical re-enactments, Nevitt argues that studying violence through theatre can be part of a desire to create a more peaceful world.
LADA screening programme for In Pursuit of Pain, a Wellcome Collection Friday Late Spectacular.
Bob Flanagan: Cystic Fibrosis Song (1977)
Cassils: Inextinguishable Fire (2015)
Wafaa Bilal: Shoot an Iraqi (2007)
Oleg Kulik: Dog House
Orlan: Succesful Operation (1990)
Marina Abramovic: On Rhythm 0 (2013)
Ron Athey: Ron’s Story (2001)
Rocio Boliver: Times Go By and I Can’t Forget You
Documentation from a live exhibition featuring eleven leading female artists from the island of Ireland, offering unprecedented access to a huge body of live performance work by some of the most radical and exciting women artists emerging from the Irish cultural context.
Curated by Chrissie Cadman, Amanda Coogan and Helena Walsh
12:53
From LADA's DIY 11, which saw a group of artists set sail on a two-day yacht journey immersed in the elements, to look back at the Welsh landscape from a different perspective.
5:53
The book examines the creative processes of eight theatre companies making devising-based performances: The People Show, Station House Opera, Shunt, The Red Room, Faulty Optic Theatre of Animation, theatre O, Gecko and Third Angel.
Review of Vason’s book, published by the Live Art Development Agency and Intellect Books.
The artist ’s most audacious, ambitious and large-scale live work to date, combining improvised performance with live streaming technology, video and random interactions with audience members.
The Southbank Centre and Toynbee Studios (2014).
46'
This video was part of LADA Screens, and was available online from 9 September 2015 to 30 September 2015
Documentation from the LADA event on (post)modern colonialism, held on on 13 Feb 2016.
Part of the Study Room Ambassador scheme.
Documentation from the LADA event on (post)modern colonialism, held on on 13 Feb 2016.
Incudes a communal text, details on the event, reflections by Leo Kay, Laura Burns, Christine Brault, Isil Sol Vil and Marina Barsy Jane, and photos.
Part of the Study Room Ambassador scheme.
Armed with nine 1970’s tape recorders, Kevlin delivers a laboratory solo that revisits several unfinished conversations with himself.
Unti 24 gallery, 11 January 2015.
22:42
Includes:
Model Behaviours publication (AFFECT module I); in English; 2014
Mit freundlichen Gruessen exhibition catalogue; in German; 2013
promotional postcards; in English; 2014
Report from the event held on Friday 29 January 2016.
This event gathered an invited group of live art and performance practitioners who are working with/around the maternal in their arts practice. All invited participants were asked to briefly introduce their ‘maternal performance practice’ and reflect on their aesthetics, including their processes and methodologies.
In misc folder 5A.
A portfolio of Artsadmin projects and performances. Includes postcards with technical, touring and artistic deatils/
City of Women 2015 festival brochure. 5-15 October 2015.
In English and Slovenian.
This paper focuses on the Midland Group Gallery in order to make a case for the consideration of the geographies of art galleries, highlight the importance of galleries in the context of cultural geographies of the sixties, and discuss the role of provinciality in the operation of art worlds.
In misc folder 5A.
Learn to think, see and live like an artist with this inspirational and practical guide on how to live a creative life written by the world’s most thought-provoking artists.
A new book about “do it yourself” performance, with contributions made by over 30 arts practitioners and collectives. It's a sequel of sorts – or rather; a continuation – to a recent text that platformed a growing community of voices in theatre, art, dance and performance making.
This book presents a theory of audience participation in the theatre, based on the importance of the moment of invitation and how an event changes character when such an invitation is made.
Documentation from GETINTHEBACKOFTHEVAN's DIY 10 project, which explored exertion, endurance, cliché and the epic using the musical Calamity Jane.
The project took place at Cambridge Junction. Part of LADA's DIY.
4:38.
A performance sculpture that segregates the artist in the “white cube” environment that has come to epitomise the contemporary art world.
Video commissioned by LADA for 'talking heads' series part of Access to all areas: Live art & disability in New York.
Edited video from Performance Sculpture, 2014. 3:26
Video by Peter Richards
On Monday 28 May 2012, Noëmi Lakmaier undertook a slow and exhausting test of endurance – an attempt to crawl from Toynbee Studios towards ‘The Gherkin’.
Film: Hydar Dewachi. 14:39
Written part of a doctoral dissertation, presenting the artistic works (performances, live-art projects and works on video ) and setting them in a larger context. The research presents the transformation that has taken place starting from the industrialism and modernism.
In Spanish and English. Compilation of texts and graphic records of artistic projects and interventions that were carried out from 11 to 13 June 2003 , in different parts of Mexico City.
Arts professionals respond to questions on the current surge in liveness—live art, one-on-one performance, participatory events, real time live/digital interactivity and resurgent performance art.
Zine by Fan Riot Press, which explores the intersection of fan fiction, criticism and performance documentation.
Comprehensive documentation on YMEDACA: a re-mapping of YSP as a contemporary translation of the very first university, Plato’s ‘Academos’.
Two recommended reading lists of titles, artists and groups related to Live Art and Motherhood.
See uploaded files.
pani documents and contextualises activities of Bbeyond performance art organisation from 2001 to 2008, also covering two exchanges with Québec and Helsinki.
*currently unavailable*
A catalogue of new writing on performance including essays and dialogues around emergency.
The author reflects on the “Monica Ross: A Symposium” that took place at the British Library, London, on Friday 28 November 2014, in celebration of the institution’s acquisition of Ross’s digital archive.
Between 2013-2014 LOW PROFILE were Artsadmin bursary supported artists. As part of their bursary, LOW PROFILE presented a showcase titled, The Event Formerly Known As Stand Ins at Toynbee Studios, producing a newly updated version of the LOW PROFILE newspaper for this event.
Performance Art Faction (PAF) was an Arts Council England funded, nine month long holistic project made up of artist residencies, research labs, exhibitions, live performances and open platform events. PAF explored the intersections of contemporary performance art, politics and society with the aim of reawakening the innate political potential of our bodies. Contributors: Benjamin Sebastian, Francesca Lisette, Bean, Jessica Worden, Diana Damian, Robin Bale and Victoria Grey.Artists: Fabiola Paz, Jade Montserrat, Kris Grey, Amber Hawk Swanson, Hugh O’Donnell, Maria José Arjona, Arianna Ferrari, Panopoly Lab (Esther Neff and Brian McCorkle), Burmester & Feigl, Owen Parry, Carlos Salazar Lermont, Helena Walsh introducing Speaking of I.M.E.L.D.A and Aliza Shvarts. The publication is a homage to DIY print aesthetics and propaganda art, and includes: Commissioned essays from artists/academics/agitators, Film & Photographic documentation, Open Call & Research Lab roll calls, PAF memorabilia, PAF Artists' bios & photographs, ]ps[ manifesto. Shelved in Oversize publications section.
Video documentation, trailer and still pictures from Felipe Osornio's – aka Lechedevirgen Trimegisto – “Inferno Variete – Devoción”, a performance project recovering and reinterpreting the theoretical and historical approaches of artists, activists, academics and representative figures around the themes of masculinity, violence against sexual minorities, gender performativity, decolonialism and body art.
10 practitioners from different backgrounds to reflect on the broad themes of participation, audience, criticality and writing in a series of short essays and provocations inspired by their own practice and numerous works in Compass Festival 2014. Contributors include Andy Abbott, Emma Cocker, Patrick Coyle, Victoria Gray, Gillie Kleiman, Annie Lloyd, Gill Park, Harold Offeh, Nathan Walker, Adam Young. A limited edition hard copy.
Written by Simon Casson, producer of Duckie, this is a polemic letter responding to the consultation towards the McMaster Review for James Purnell and the Department of Culture Media and Sport, condemnning the state of art-funding.
This article speculates about the new kinds of historical information that performance scholars may be able to preserve as a result of recent innovations in web archiving.
This publication serves as a brief summary of the five commissions which comprise the IN project 2012 – 2015.