The essay interrogates Hadas Ophrat's piece Insomnia.
On Marina Abramović’s Nude with Skeleton and other animations.
The two live artists engage in a playful, theatre-inspired dialogue (complete with stage directions) in which they discuss their complicated relationships, working within theatre institutions.
Third edition of the open-access art journal for creative writing.
Starting from the premise that live performance is experienced in a material, local context, the chapters analyse the intricate and complex workings of queer dramaturgy within specific venues, cities, nations or transnationally.
Using memories of her experience of masquerades in Nigeria, the artist employs movement and masks of hair as power objects, which conceal and reveal the black body, the black female.
Festival catalogue.
Interview with Manuel Vason; in Spanish.
Kapelica Gallery calendar.
Shelved in Oversize publications section.
All issues (pilot-6) of the “international cross-artform bi-monthly”.
A LADA screening programme for the 2016 Venice International Performance Art Week: a collection of documentation and artists’ films looking at pain and performance.
Includes:
Marina Abramovic – On ‘Rhythm O’, 1974, 2013, 3’07” ; Ron Athey – Ron’s Story, 2001, 4’44”; Marcel.Li Antunez Roca – Epizoo, 1994, 8’29; Franko B – Don’t Leave Me This Way, 2009, 5’03”; Wafaa Bilal – On ‘Shoot An Iraqi’, 2007, 2’21”; Rocio Boliver – Times Go By and I Can’t Forget You: Between Menopause and Old Age, 2013, 4’18”; Cassils – The Powers That Be, 2016, 2’24”; Bob Flanagan – Cystic Fibrosis Song, 1990’s 1’32”; Regina Jose Galindo – Lucha, 2002, 3’37”; jamie lewis Hadley – this rose made of leather, 2012, 9’10”; Nicola Hunter & Ernst Fischer – Passion/Flower, 2012, 4’02”; Oleg Kulik – Dog House 1996, 4’10”; Martin O’Brien – Taste of Flesh, 2015, 2’59”; Kira O’Reilly – Wet Cup, 2000, 2’29”; ORLAN – Successful Operation, 1990, 6’16”; Petr Pavlensky – Radical Artist In Court – Ukraine Today News Item, 2015, 1’57”
Artists Katie Etheridge & Simon Persighetti team up with shoppers, traders and market enthusiasts to create a pick and mix selection of ways to navigate and explore the market as trading place, social space and playing space. The Mis-Guide was originally produced for Compass Festival.
Calendar including photos from Belfast Beyond Performance events and scheduled Performance Monthlies.
A limited edition publication exploring a series of innovative live performances and events.
Calendar including photos from Belfast Beyond Performance events and scheduled Performance Monthlies.
Includes: Salavation poster and flyer, a production package, and a usb with video and photo documentation.
Review of Athey's Messianic Remains at the Performance studies International symposium.
Programme for the international festival of live arts, incorporating the National Review of Live Art (NRLA); 3/2-15/3 2003. Includes Adrian Heathfield on Goat Island, Lois Keidan on live art platforms and Marianne van Kerkhoven on Raimund Hoghe.
Video installation, inspired by cases of institutional abuse in Ireland, especially the Magdalene Laundries.
iIn Japanese.
Misc folder 6.
Critically engaging with examples of stage combat, rape, terrorism, wrestling and historical re-enactments, Nevitt argues that studying violence through theatre can be part of a desire to create a more peaceful world.
LADA screening programme for In Pursuit of Pain, a Wellcome Collection Friday Late Spectacular.
Bob Flanagan: Cystic Fibrosis Song (1977)
Cassils: Inextinguishable Fire (2015)
Wafaa Bilal: Shoot an Iraqi (2007)
Oleg Kulik: Dog House
Orlan: Succesful Operation (1990)
Marina Abramovic: On Rhythm 0 (2013)
Ron Athey: Ron’s Story (2001)
Rocio Boliver: Times Go By and I Can’t Forget You
Documentation from a live exhibition featuring eleven leading female artists from the island of Ireland, offering unprecedented access to a huge body of live performance work by some of the most radical and exciting women artists emerging from the Irish cultural context.
Curated by Chrissie Cadman, Amanda Coogan and Helena Walsh
12:53
From LADA's DIY 11, which saw a group of artists set sail on a two-day yacht journey immersed in the elements, to look back at the Welsh landscape from a different perspective.
5:53
The book examines the creative processes of eight theatre companies making devising-based performances: The People Show, Station House Opera, Shunt, The Red Room, Faulty Optic Theatre of Animation, theatre O, Gecko and Third Angel.
Review of Vason’s book, published by the Live Art Development Agency and Intellect Books.
The artist ’s most audacious, ambitious and large-scale live work to date, combining improvised performance with live streaming technology, video and random interactions with audience members.
The Southbank Centre and Toynbee Studios (2014).
46'
This video was part of LADA Screens, and was available online from 9 September 2015 to 30 September 2015
Documentation from the LADA event on (post)modern colonialism, held on on 13 Feb 2016.
Part of the Study Room Ambassador scheme.
Documentation from the LADA event on (post)modern colonialism, held on on 13 Feb 2016.
Incudes a communal text, details on the event, reflections by Leo Kay, Laura Burns, Christine Brault, Isil Sol Vil and Marina Barsy Jane, and photos.
Part of the Study Room Ambassador scheme.
Armed with nine 1970’s tape recorders, Kevlin delivers a laboratory solo that revisits several unfinished conversations with himself.
Unti 24 gallery, 11 January 2015.
22:42
Includes:
Model Behaviours publication (AFFECT module I); in English; 2014
Mit freundlichen Gruessen exhibition catalogue; in German; 2013
promotional postcards; in English; 2014
Report from the event held on Friday 29 January 2016.
This event gathered an invited group of live art and performance practitioners who are working with/around the maternal in their arts practice. All invited participants were asked to briefly introduce their ‘maternal performance practice’ and reflect on their aesthetics, including their processes and methodologies.
In misc folder 5A.
A portfolio of Artsadmin projects and performances. Includes postcards with technical, touring and artistic details.
City of Women 2015 festival brochure. 5-15 October 2015.
In English and Slovenian.
This paper focuses on the Midland Group Gallery in order to make a case for the consideration of the geographies of art galleries, highlight the importance of galleries in the context of cultural geographies of the sixties, and discuss the role of provinciality in the operation of art worlds.
In misc folder 5A.
Learn to think, see and live like an artist with this inspirational and practical guide on how to live a creative life written by the world’s most thought-provoking artists.
A new book about “do it yourself” performance, with contributions made by over 30 arts practitioners and collectives. It’s a sequel of sorts – or rather; a continuation – to a recent text that platformed a growing community of voices in theatre, art, dance and performance making.
This book presents a theory of audience participation in the theatre, based on the importance of the moment of invitation and how an event changes character when such an invitation is made.
A performance sculpture that segregates the artist in the “white cube” environment that has come to epitomise the contemporary art world.
Video commissioned by LADA for 'talking heads' series part of Access to all areas: Live art & disability in New York.
Edited video from Performance Sculpture, 2014. 3:26
Video by Peter Richards
Documentation from GETINTHEBACKOFTHEVAN's DIY 10 project, which explored exertion, endurance, cliché and the epic using the musical Calamity Jane.
The project took place at Cambridge Junction. Part of LADA's DIY.
4:38.
On Monday 28 May 2012, Noëmi Lakmaier undertook a slow and exhausting test of endurance – an attempt to crawl from Toynbee Studios towards ‘The Gherkin’.
Film: Hydar Dewachi. 14:39
Written part of a doctoral dissertation, presenting the artistic works (performances, live-art projects and works on video ) and setting them in a larger context. The research presents the transformation that has taken place starting from the industrialism and modernism.
Arts professionals respond to questions on the current surge in liveness—live art, one-on-one performance, participatory events, real time live/digital interactivity and resurgent performance art.
Zine by Fan Riot Press, which explores the intersection of fan fiction, criticism and performance documentation.
Comprehensive documentation on YMEDACA: a re-mapping of YSP as a contemporary translation of the very first university, Plato’s ‘Academos’.
In Spanish and English. Compilation of texts and graphic records of artistic projects and interventions that were carried out from 11 to 13 June 2003 , in different parts of Mexico City.
Two recommended reading lists of titles, artists and groups related to Live Art and Motherhood.
See uploaded files.