Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance.
Part of the Library of Performing Rights (P3041)
The pages of Emergency INDEX are open to all who work with performance. In each annual volume, contributors document works made in the previous year. Vol. 7 presents 260 works from 51 countries performed during 2017, documented in the words of their creators.
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Exhibition catalogue. Ivan Dougherty Gallery, Sydney, June-July 1994; Institute of Modern Art, August 1994, Perth Institute of Contemporary Arts, November-December 1995, Experimental Art Foundation, Adelaide, February-March 1995, ACCA, April May 1995.
Exhibition booklet; Leamington Spa Art Gallery & Museum, 30 November 2018 – 24 February 2019
Booklet; includes archive images and biography.
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
It examines the ‘performance of extremity’ as practices at the limits of the histories of performance and art, in performance art’s most fertile and prescient decade, the 1970s. Dominic Johnson recounts and analyses game-changing performance events by six artists: Kerry Trengove, Ulay, Genesis P-Orridge, Anne Bean, the Kipper Kids, and Stephen Cripps.
Part of the Library of Performing Rights (P3041)
A revision of Lone Twin’s On Everest.
Includes documentation of:
– Someting Tender
– 3 : 3: 3
– For Always
Third issue of the online and printed zine about relationships and configurations in which one person is still while others are not.