A one hour reading of testimonies from the survivors of the armed conflict in Guatemala.
Part of the Library of Performing Rights (LPR) (P3041).
Short video artist profile. Includes clips from different video and performance pieces.
Abjection builds awareness of post-porn power, which breaks away from the outdated distinction between eroticism and pornography.
Inspired by a ritual known as Matam, which takes place in the Shiite ceremony of Ashura, the performance transcends its origins, becoming an action that opens the body to a trance state of rhythm & ritual practice.
Documentation (Power Point) from the DIY 13 project exploring notions of tripping and tipping points through the lens of the architect-walker.
Documentation from the DIY 13 project, interrogating how re-‘creation’ impacts the creative process.
Documentation from the DIY 13 project.
A union using violence as a language to express affection.
Guatemalan artist carvs the letters P-E-R-R-A (bitch) into her thigh, the same word carved onto the many victims of her country’s feminicide crisis.
Part of the Library of Performing Rights (LPR) (P3041).
Publication 'arrived' after participation in a six-day festival curated by ]performance S p a c e[ in 2016.
Looks at the Study Room as a case study of how libraries can perform in response to performance, and what their performance can do for performance.
Exhibition catalogue: Intensity of Affect: performances, actions, installations – retrospective of Zoran Todorovic. Accompanies the project, Warmth, at the the 53rd Biennale di Venezia, held in Venice, at the Serbian Pavilion, June 7-Nov. 22, 2009.
In Serbian and English.
What happens when you give a live artist the keys to the library?
While considering repetition in relation to the difficult pleasures we derive from the theatre, this book explores ways of accounting for such experiences of theatre in memory and writing.
The aim of this book is to offer perspectives on performance art practice with a focus on teaching. This subject has rarely been approached in the literature and this book gives insights and inspiration for all those teaching performance art as well as to anyone else interested in this art form.
Includes interviews, dialogues and critical writing on art and politics. In French.
Part of the Library of Performing Rights (LPR) (P3041).
Exhibition catalogue. Biennale Arte 2017, 57th International Art Exhibition – Viva Arte Viva. 13 May – 26 November 2017.
Publication cataloguing visual artists from Singapore.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Video: a deeply poetic array of cinematic images
10 practitioners from different backgrounds reflect on the broad themes of participation, audience, criticality and writing in a series of short essays and provocations inspired by their own practice and numerous works in Compass Festival 2014.
Raw material from a the Live Art event in Much Wenlock, Shropshire in May 2012.
Part of the Library of Performing Rights (LPR) (P3041).
A virtual platform on which shares of companies dealing with problems are floated.
Part of the Library of Performing Rights (LPR) (P3041).
Live action.
Part of the Library of Performing Rights (LPR) (P3041).
Documentation from two performances, presented at Brisbane Arts (2007) and MAJU JAYA Performance Art Festival (2007).
Part of the Library of Performing Rights (LPR) (P3041).
Artist book, containing documentation from the three performances. Text in German.
Part of the Library of Performing Rights (LPR) (P3041).
Artist book. Text in German.
Part of the Library of Performing Rights (LPR) (P3041).
Catalogue; 24-27 November 2005, Bangkok, Thailand.
Part of the Library of Performing Rights (LPR).
Print newsletter from Create Ireland, with guest writer Joshua Sofaer introducing the Collaborative Arts Performance Pack.
Print newsletter from Create Ireland; includes an interview with Sandra Noeth. May 2017.
Links avant-garde performance practices with religious histories in the United States, setting contemporary performances of endurance art within a broader context of prophetic, religious discourse in the United States
Exploring movements through private-public space in the city, the impact of urban surroundings on us and our relations with each other.
Programme for the evening of green, monstrous, post-human drag performance.
The archive-book of the 1978-1982 works of performance artist Antonio Syxty, active in Milan in connection with the basement theatre Out Off.
An international collection offering glimpses into the intimate relations inherent in finding, remembering (or imagining), and creating an archive.
Includes an image bank and a video with extracts from different pieces. Documented works includes: Negrophilia!, Andhaka, Miss United Kingdom, Resurrection, The Ambidextrous Universe, Thirteen, Olympia, Barflies, Shakti, Masking, Genesis and Remote Control.
An artist book which samples his performance and art practices over 14 years, with text by Victoria Wynne-Jones, Mark Amery and Gradon Diprose.
Large format programme for Hotel Obscura (Vienna performances). In German.
The essay interrogates Hadas Ophrat's piece Insomnia.
The Life and Death of Marina Abramović
The two live artists engage in a playful, theatre-inspired dialogue (complete with stage directions) in which they discuss their complicated relationships, working within theatre institutions.
Starting from the premise that live performance is experienced in a material, local context, the chapters analyse the intricate and complex workings of queer dramaturgy within specific venues, cities, nations or transnationally.
Third edition of the open-access art journal for creative writing.
Using memories of her experience of masquerades in Nigeria, the artist employs movement and masks of hair as power objects, which conceal and reveal the black body, the black female.
Festival catalogue.
Interview with Manuel Vason; in Spanish.
Kapelica Gallery calendar.
Shelved in Oversize publications section.
All issues (pilot-6) of the “international cross-artform bi-monthly”.