Post-event hard cover catalogue documenting the exhibition and live performances presented at the III Venice International Performance Art Week. 10-17 December 2016.
The first book-length introduction to and critical analysis of contemporary feminist performance, from Madonna to Karen Finley to Cherrie Moraga.
Part of the Library of Performing Rights (LPR) (P3041).
A cinematic interpretation of the performances of Anet van de Elzen.
65 mins.
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
Calendar including photos from Belfast Beyond Performance events and scheduled Performance Monthlies.
Contains Courts drawings, notes, sketches and ideas for performance from his notebooks over a period of five years.
Published on the occasion of the LEER-GUT, an exhibition held at the Kadenz/Geldern Gallery in November 1992.
In German.
Documentation from the DIY 12 project: can you start a University of Live Art in your front room, garden shed or local pub?
A one hour reading of testimonies from the survivors of the armed conflict in Guatemala.
Part of the Library of Performing Rights (LPR) (P3041).
The artist's body is spit on and punished by an indigenous Guatemalan woman.
Part of the Library of Performing Rights (LPR) (P3041)
Guatemalan artist carvs the letters P-E-R-R-A (bitch) into her thigh, the same word carved onto the many victims of her country’s feminicide crisis.
Part of the Library of Performing Rights (LPR) (P3041).
Short video artist profile. Includes clips from different video and performance pieces.
Documentation (Power Point) from the DIY 13 project exploring notions of tripping and tipping points through the lens of the architect-walker.
Abjection builds awareness of post-porn power, which breaks away from the outdated distinction between eroticism and pornography.
Documentation from the DIY 13 project, interrogating how re-‘creation’ impacts the creative process.
Inspired by a ritual known as Matam, which takes place in the Shiite ceremony of Ashura, the performance transcends its origins, becoming an action that opens the body to a trance state of rhythm & ritual practice.
Documentation from the DIY 13 project.
A union using violence as a language to express affection.
Publication 'arrived' after participation in a six-day festival curated by ]performance S p a c e[ in 2016.
Looks at the Study Room as a case study of how libraries can perform in response to performance, and what their performance can do for performance.
What happens when you give a live artist the keys to the library?
While considering repetition in relation to the difficult pleasures we derive from the theatre, this book explores ways of accounting for such experiences of theatre in memory and writing.
The aim of this book is to offer perspectives on performance art practice with a focus on teaching. This subject has rarely been approached in the literature and this book gives insights and inspiration for all those teaching performance art as well as to anyone else interested in this art form.
Exhibition catalogue: Intensity of Affect: performances, actions, installations – retrospective of Zoran Todorovic. Accompanies the project, Warmth, at the the 53rd Biennale di Venezia, held in Venice, at the Serbian Pavilion, June 7-Nov. 22, 2009.
In Serbian and English.
Includes interviews, dialogues and critical writing on art and politics. In French.
Part of the Library of Performing Rights (LPR) (P3041).
Exhibition catalogue. Biennale Arte 2017, 57th International Art Exhibition – Viva Arte Viva. 13 May – 26 November 2017.
Publication cataloguing visual artists from Singapore.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
10 practitioners from different backgrounds reflect on the broad themes of participation, audience, criticality and writing in a series of short essays and provocations inspired by their own practice and numerous works in Compass Festival 2014.
Video: a deeply poetic array of cinematic images
Live action.
Part of the Library of Performing Rights (LPR) (P3041).
Raw material from a the Live Art event in Much Wenlock, Shropshire in May 2012.
Part of the Library of Performing Rights (LPR) (P3041).
A virtual platform on which shares of companies dealing with problems are floated.
Part of the Library of Performing Rights (LPR) (P3041).
Documentation from two performances, presented at Brisbane Arts (2007) and MAJU JAYA Performance Art Festival (2007).
Part of the Library of Performing Rights (LPR) (P3041).
Artist book. Text in German.
Part of the Library of Performing Rights (LPR) (P3041).
Artist book, containing documentation from the three performances. Text in German.
Part of the Library of Performing Rights (LPR) (P3041).
Catalogue; 24-27 November 2005, Bangkok, Thailand.
Part of the Library of Performing Rights (LPR).
Print newsletter from Create Ireland, with guest writer Joshua Sofaer introducing the Collaborative Arts Performance Pack.
Print newsletter from Create Ireland; includes an interview with Sandra Noeth. May 2017.
Links avant-garde performance practices with religious histories in the United States, setting contemporary performances of endurance art within a broader context of prophetic, religious discourse in the United States
Exploring movements through private-public space in the city, the impact of urban surroundings on us and our relations with each other.
Programme for the evening of green, monstrous, post-human drag performance.
The archive-book of the 1978-1982 works of performance artist Antonio Syxty, active in Milan in connection with the basement theatre Out Off.
An international collection offering glimpses into the intimate relations inherent in finding, remembering (or imagining), and creating an archive.
Includes an image bank and a video with extracts from different pieces. Documented works includes: Negrophilia!, Andhaka, Miss United Kingdom, Resurrection, The Ambidextrous Universe, Thirteen, Olympia, Barflies, Shakti, Masking, Genesis and Remote Control.
An artist book which samples his performance and art practices over 14 years, with text by Victoria Wynne-Jones, Mark Amery and Gradon Diprose.
Large format programme for Hotel Obscura (Vienna performances). In German.