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The Politics of Performance: Radical Theatre as Cultural Intervention
Addresses fundamental questions about the social and political purposes of performance through an investigation into post-war alternative and community theatre. It proposes a theory of performace as ideological transaction, cultural intervention and community action, which is used to illuminate the potential social and political effects of radical performance practice.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
Live at the End of the Century: Aspects of Performance Art in Vancouver
Retrospective look at Performance Art in Vancouver, 1965 – 2000.
Codex Espangliensis: From Columbus to the Border Patrol
Artist book: chronicles the history of conquest and economic interdependence that has shaped the Americas from Columbus to the 1990s.
The Post-Colonial Studies Reader
The essential introduction to the most important texts in post-colonial theory and criticism.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
Anthology 3
Artist documentation.
Anthology 2
Personal Choices (1)
Marina Abramovic’s lecture on performance art, including screening of both her performances and of other artists.
Personal Choices (2)
Marina Abramovic’s lecture on performance art, including screening of both her performances and of other artists.
Aunt Bill
Aunt Bill is an automythography performed as part of 'It's not Unusual', an international season of performance, ICA, London (June, 1994).
Glimpses of before: 1970s UK Performance Art Study Room Guide
A guide to the groundbreaking yet frequently marginalised practices of artists working in performance art in the UK in the 1070s.
