Profiles established ensemble groups from inner-city Los Angeles, small-town northern California, African-American South, multicultural southern Texas, low-income central Appalachia, economically struggling South Bronx New York, and cross-continental Native America.
Part of the Library of Performing Rights (LPR) (P3041).
The wuthors talk about repetition as an internal and integral structuring device in Rajni's trilogy of works, Mr Quiver (2004-6), Dinner with America (2006-8), and Glorious (2009-13), using the meandering form of walking and conversation to think through the circular, incremental and bodily processes within the performance work.
From Medieval guilds to today’s social networks, Sennett’s book explores the nature of co-operation, why it has become weak and how it can be strengthened.
Part of the Study Room Guide on Live Art and Kids (P3091).
At the 2015 DASH symposium ‘Awkward Bastards’, artist and CEO of Shape Arts, Tony Heaton posed the question “Is the Disability Arts movement a forgotten movement? In response to this, DASH created a new book that aims to show that Disability arts is alive, well and demands recognition and a place within art history.
A book on the work of Pakistani artist and writer who has been based in London since 1964. The volume brings together a selection of his articles, essays and correspondence with gallery directors and funding bodies, interspersed with documentation of his multi-disciplinary work. Introduction by art critic Guy Brett.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Film by Guillermo Gómez-Peña, for the LAUK Gathering, at Watershed, Bristol on 12 February 2015
A collectio of texts and images on the work of the German choreographer and dramaturg. Photos by Rosa Frank, Luca Giacomo Schulte, Jacqueline Chambord and Raimund Hoghe. Texts in English, French, German.
A short film mixing animation, live-art, spoken word and an original soundworld to challenge the absence of disability art.
This report defines practical steps and frameworks for good practice of collaboration between visual artists, publicly-funded institutions, communities and audiences.
Special issue of the Australian magazine (December 2013/January 2014) dedicated to art and disability programs, projects, artists and companies