Amnesty Magazine issue 174

Next Wave Festival 2014 Magazine : New Grand Narrative

Pg. 32

Oral Histories of the Revolution,  Tania El Khoury

Art Review Issue 26  / October 2008

pg. 74-81

Feature on Elmgreen & Dragset : Inconvenient Truths

“Sadly, as people of color we experience discrimination everyday. It’s exhausting. And when it happens, we often question ourselves, thinking: Did that just happen? Am I being too sensitive? And when we can identify that it is discrimination and speak to it, we’re often questioned and others often don’t believe us or brush us off, calling us too sensitive or angry. The burden falls on us to prove that we are being discriminated against. This book is here for you to take detailed logs of your everyday aggressions so that you can show off your receipts–proof.” Aram Han Sifuentes

Designed and illustrated by Ishita Dharap.

shado Issue 4 : Youth

Article ‘Black Radical Tradition : Centring Abolition Ecology in the Climate Climate Justice Movement’  by Idman Abdurahaman.

shado Issue 2 : Global Womxnhood

Feature on poet and performer Tolu Agbelusi.

shado Issue 2 : Global Womxnhood

Feature on filmmaker Oluwaseun Babalola.

Can Taiwan performing/performance art be an avant-garde strategy for cultural exchanging with Shanghai e-Art Festival?

-Referring to the changing face of British Live Art.

Research study by Catherine Jiang.

In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten.

This article presents the research and performance practice behind ‘The Performing Solidarity Project’.

Interviews with people at the intersection of disability, queerness, kink, sex work and survivorship.

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg69-75