Review of the Liverpool Biennial.
Audio of the artist in discussion with Jospeh Morgan Scholfield. Event held on 13 February 2020.
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
Publication about the project which brought questions of archiving performance art to a broader public. In German and English.
A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
The concluding volume to Moten’s landmark trilogy consent not to be a single being.
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
The curator who founded MoMA’s video program recounts the artists and events that defined the medium.