Bandoneon: Working with Pina Bausch

Beer Advertisement (Dyke, Just Do It) (2025) is a two-cannel video installation by SWEATMOTHER, presented at LADA as part of Fringe! Queer Film & Arts Fest exhibition The Body Is a Thing in Time, curated by kane stonestreet.

A collection of poems and drawings self-published by political theatre maker Maya at an important period during their life and inspired much of their later work.

List of works and selected exhibitions from artist 00 Zhang. 

“This new work ‘Care Zine’ came from conversations about our practises, realising at the heart of it we are centred on care for our communities in an ever precarious and changing world. Through zine making as self expression and a cathartic art form, we realised participants benefited from the space to make and play and that play and freedom were a great part of caring from each other."

A live art work and archive book exploring fetish, female eroticism, and symbolic violence through a spatial intervention at a KTV in Chinatown.

A compilation of images by Anne Bean from Dubinski notebooks. 

A short text and image piece by artist Kira O'Reilly, accompanied by a photo of O'Reilly's "Menopause Gym."

Article and performance photos from artist Eirini Kartsaki.

Sabrina Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals–where fat bodies were once praised–showing that fat phobia, as it relates to black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of “savagery” and racial inferiority.
Fearing the Black Body argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. An important and original work, it reveals that fat phobia isn’t about health at all, but rather a means of using the body to validate race, class, and gender prejudice.

Por que falamos em arte nordestina ou arte nortista, mas raramente ouvimos a expressão arte sudestina para nos referirmos às produções do Rio de Janeiro ou de São Paulo, por exemplo? Essa pergunta, aparentemente simples, revela muito sobre o modo como o Sudeste foi historicamente alçado, e se impôs à condição de centro normativo da cultura brasileira. A produção artística dessa região costuma ser tomada como “a arte brasileira”, dispensando adjetivos regionais, enquanto as produções do Norte e do Nordeste foram historicamente enquadradas nas margens, exceções ou exotismos dentro desse panorama…

This book is a sampler of Quarantine’s work since we started in November 1998. Every word and image is from our archive. Some of the material originated with us, the rest was written or spoken with us, the rest was written or spoken by others. The pages may seem disparate, contradictory even; they are fragments of over 20 years, more projects, many voices.

We’ve realised over the years that our work is a form of portraiture. This sampler is a kind of self-portrait of Quarantine.