Editor: Adrian Heathfield, Amelia Jones | Reference: P1813 | Type: Publication

Bringing together contributors from dance, theatre, visual studies, and art history, the publication addresses the conundrum of how Live Art is positioned within history.

Artist/Author: Various | Reference: D1722 | Type: DVD

Being Seen Being Heard, Symposium at Sacred: Keeping the Faith, festival at Chelsea Theatre, London, 24-28 November 2011.

Artist/Author: Tim Crouch | Reference: P1791 | ISBN: 978-1-84943-109-5 | Type: Publication

Play collection.

Artist/Author: Marina Abramović | Editor: Directed by Babette Mangolte | Reference: D1669 | Type: DVD

See also D0342 for still images, and P1002 essays and catalogue.

Editor: Richard Drain | Reference: P1755 | ISBN: 0-415-09620-0 | Type: Publication

Richard Drain, Twentieth Century Theatre: A Sourcebook, performance studies, featuring performance texts and critical essays from a range of sources.

Artist/Author: Jill Dolan | Editor: Melanie Bennet, Richard Gough, Laura Levin, Marlis Schweitzer | Reference: A0362 | Type: Article

Traces Dolan’s key terms – ‘publics’, ‘feelings’, ‘practice’, ‘utopian performatives’ and ‘performance’ – personally and politically rather than from a strictly scholarly perspective.

Artist/Author: Sylvia Rimat | Reference: D1614 | Type: DVD

An inventive, participatory and humorous performance that playfully challenges the conventions of theatre, watching and our imagination.

Artist/Author: Dave Beech | Reference: A0313 | Type: Article

Review of Jacques Ranciere’s The Emancipated Spectator

Artist/Author: Margherita Laera | Reference: A0324 | Type: Article

On Societas Raffaello Sanzio’s Inferno, Purgatorio, and Paradiso.

Artist/Author: Jason Farman | Reference: A0262 | Type: Article

This article analyzes the question of where the dominant mode of production lies – on the screen, where action and a singular character identity cohere, or behind the screen, where the embodied difference of the actors is continually prioritized.