A double one-woman show: double the woman, double the show. An amalgam of theatre genres and familiar characters; nothing is too outrageous.

Suggests organizing principles, innovative strategies, methods and exercises for making theatre in a variety of contexts and locations, and through examples, case studies and projects develops distinctive theoretical insights into the relationship of site and performance, scenario and scenography.

In German and English

Asking exactly what we mean by political art or the politics of art, Rancière goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, ironically, a sad affirmation of its omnipotence?

Digital Reference refers to folder containing four movies. Manuel Vason recording (see also British Library footage, D1619).

Digital reference is folder containing four movies. Footage by Manuel Vason, (see also British Library recording, D1618).

Digital Reference refers to folder containing four movies. British Library Recording (see also Manuel Vason footage, EF5039).

Digital reference is folder containing four movies. British Library Recording (see also footage by Manuel Vason, EF5038)

Ron Athey interviewed by Russell McEwan.

Excerpts from performances Still/Desire (2005),  Imbolc (2008) and Raven (2010).