The artist’s account of being denied entry at the country of Bahrain’s border. Miscellaneous folder #4.
A wide-ranging collection of inventive maps. This item is part of the Study Room Guide to Remoteness (P2600).
An account of visits to various remote places in order to evoke their spirit of wildness punctuated with reflections on climate change, on destruction of habitat, and on the matters of time and belonging. This item is part of the Study Room Guide to Remoteness (P2600).
Using the map as a metaphor, the author explores how writers and cartographers use many of the same devices for plotting and executing their work. This item is part of the Study Room Guide to Remoteness (P2600).
This book is an account of Allenheads Contemporary Arts (ACA)’s development through a programme of residencies, projects, exhibitions and events that accompany relations with community and environment. This item is part of the Study Room Guide to Remoteness (P2600).
‘Performing Site-Specific Theatre turns a critical eye to the form of site-specific theatre, investigating the nature of the relationship between ‘site’ and ‘performance’. Contributors: Joanne Thompkins, Anna Birch, Michael McKinnie, Susan Bennett, Julie Sanders, Jane Collins, John Webster, Mike Pearson, Kathleen Irwin, Susan Haedicke, Lesley Ferris, Louise Owen, Keren Zaiontz, Bruce Barton, Richard Windeyer, Helen Iball, Sophie Nield
History of Glasgow arts cultures 1855-2010, 2nd edition.
Essays written 2010-2012 with an introduction by Stephen Squibb
This is a textbook for exploring the peripheral, acknowledging marginal acts as well as marginal places. There is no definitive way of defining what is marginal. This item is part of the Study Room Guide to Remoteness (P2600).
Exhibition publication, 2 Oct 2009 – 25 Oct 2009, Transition Gallery, London.