Catalogue > By Keyword > criticism
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The Body in Pain: The Making and Unmaking of the World
Part philosophical meditation, part cultural critique, this profoundly original work explores the nature of physical suffering.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
Art Beyond Representation: The Performative Power of the Image
Argues for a performative relationship between art and artist.
ARTEaccion: Ciclo de mesas redondas y exposicion de fotografia de acciones
Documentation and collection of critical writing about Mexican performance. In Spanish.
David Micklem, John Jordan, Kira O’Reilly, Richard Dedominici, Annie Lloyd: ICA Live Weekends: Futur
Mary Paterson: ICA Live Weekend: Futures and Pasts
Essaying Essays
Performance writing, essay, criticism, Alex Hardy: Enjoy More; Pete McPartian: Readers Block(s)- Mapping Misunderstanding(s); Emma Cocker: To try, to tentatively attempt; Alex Eisenberg: Traces of Essay 1-3; Alex Hardy: I Love You; Rachel Lois Clapham: About Quartet (2009); David Berridge: Enter At Your Own Risk; Jenny Lawson: Variations on a Theme: Recipes for Essays (Attempts 1-3); Fiona Fullam: Musings on Notes to Notes on Musings; Patricia Lyons: (a)musing: this and that from the studio; Rachel Lois Clapham: The Story Of A Score: Notes on a Return; John Pinder: Bells Bridge Bubble: A sound walk through London (with Pablo Chernor); Éilis Kirby: Essaying to Essay: Clinical Procedure III and Essaying to Essay: Observation. Front Cover: Pete McPartian, drawing after reading Kenneth Goldsmith. This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
Essaying Essays: Alternative Forms of Exposition
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
After Criticism - New Responses to Art and Performance (Chinese Language version)
Chinese edition of Butt’s book addressing issues of the ‘performing’ of art’s histories; the consequences for criticism of embracing boredom, distraction and other ‘queer’ forms of (in)attention; and the importance of exploring writerly process in responding to aesthetic experience. Language: Chinese only
