Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.

Co-produced by Kaaitheater, Vooruit, STUK Kunstcentrum, Kunstcentrum Buda and Impuls Tranz Festival

Part (13) of Paysages Choregraphiques Contemporains dans le Monde: My Lunch with Anna

Part (8) of Paysages Choregraphiques Contemporains dans le Monde

Based on a reproduction of original choreographic material of Le Sacre du Printemps and the personal story of Nijinsky, Liquid Loft, together with dancers of Les Ballets de Monte Carlo, stage impressive Ready Mades, by rediscovering them as containers of bygone choreographic intentions in a changed context, weaving them into contemporary structures.
Dance as an imitation of change; the sacrifice as an instrument of equalization through retaliation against the innocent. These are the archaic means of mimetic practice in this performance.

An interview with Blondell Cummings.

Bel narrates his own development from ten years as a dancer in the 1980s, to a sabbatical in the early ’90s spent reading poststructuralist theory, to his present-day status as a leading proponent of European conceptual dance

This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)

On European dramaturgy in the 21st Century.

Writing as classical choreographic documentation.

This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)

This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)

Review of Oguri and Renzoku performance art work.