Based on a reproduction of original choreographic material of Le Sacre du Printemps and the personal story of Nijinsky, Liquid Loft, together with dancers of Les Ballets de Monte Carlo, stage impressive Ready Mades, by rediscovering them as containers of bygone choreographic intentions in a changed context, weaving them into contemporary structures.
Dance as an imitation of change; the sacrifice as an instrument of equalization through retaliation against the innocent. These are the archaic means of mimetic practice in this performance.
On female performance art from Austria.