Audio CD accompanying the publication Temple of Confessions (see REF. P2002), a confessional mail-in post-card, and a temporary tattoo.
Part of the Library of Performing Rights (LPR) (P3041).
| Artist / Author | Guillermo Gómez-Peña and Roberto Sifuentes |
|---|---|
| Reference | D1966 |
| Date | 1997 |
| Type | DVD |
“Writing the body with the body” consists of fragments taken from performance texts by Stefanie Knobel, which are juxtaposed with a series of pictures created for this volume
Kindly donated for the Swiss live Art Study Room Guide.
A performance-based short film, in which the artist inquire through bodily actions the creation and function of visible and invisible signs in response to the geologic.
Includes the film, trailer, stills, and film description.
Captured during a weekend-long workshop held in Glasgow as part of DIY16.
Part of the Library of Performing Rights (P3041)
45 minute talk with Gloop, led by Finn Love. Part of LADA Screens.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
Delves into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality. Collectively, they attest to how trans people are frequently offered “doors”—entrances to visibility and recognition—that are actually “traps,” accommodating trans bodies and communities only insofar as they cooperate with dominant norms.
Part of the Library of Performing Rights (P3041).
Draws strength from conversations with the performance artist Ron Athey and readings from Illness as Metaphor, by Susan Sontag.
Please note that Queen Mary University of London holds the entire archive of the late artist.
A romantic exploration performance about love and human relationships.
Please note that Queen Mary University of London holds the entire archive of the late artist.
15 writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa.
Part of the Library of Performing Rights (P3041).
A film documenting the unsanctioned live performance in Tate Britain: in the run up to the international climate talks in Paris as the artists invited Tate to reconsider their sponsorship deal with BP, and to begin to erase this scar from their skin.
Part of LADA Screens 9. The film was availble online between 30 April and 13 May 2016 on the LADA Screens Channel.
A specially filmed conversation between Ron Athey and writer Jennifer Doyle. Filmed in LA for LADA Screens by Brittany Neimeth.
Part of LADA Screens 6.