Book Launch Final Transmission: Performance Art and AIDS in Los Angeles

Video documentation of ‘Passion Play’, an event curated and presented by Daniel Oliver, in collaboration with Access All Areas and LADA, on 1st August, 2025 at The Garrett Centre.

Included in the footage is: performances by graduating and former students from Access All Area’s ‘Performance Making Diploma’: Bruno De Ceita Pedro, Jacob Dean, Claire Dunbar, and George Webb, an introduction from Oliver and Dean, and a Q&A.

The event was funded through the Royal Central School of Speech and Drama’s knowledge exchange funding.

This is a video file and includes closed captions. Filmed and edited by Claire Nolan.

Documentation from an online lecture by Ron Athey on Penetration in Live Art and Video. This lecture formed part of LADA’s 2020 Summer Programme.

Penetration – be it bodily, spiritual or sexual – is a recurring motif in Ron Athey‘s work. In this lecture, which comes as he begins work on a new project, Athey will explore the artistic potential of the contemporary post-porn movement in relation to his practice.

Video documentation of an online book launch of  A Good Love Story by Sibylle Peters on 14th February 2021. This conversation spanned  love, intimacy and isolation, the state of Pleasure Activism today,  heterasexuality and the question of what constitutes a good love story.

Sibylle Peters was joined by artist, activist and editor of German pop feminist Missy Magazine Margarita Tsomou; writer and sexual health activist Almaz Ohene; artist and activist Brian Lobel; artist and Heteraclub collaborator Ansuman Biswas; Canadian based artist and activist Cassie Thornton; and artist and A Good Love Story editor Hester Chillingworth.

Audio documentation of an evening considering durational performance art with Marilyn Arsem on Friday 18th April, 2025 at The Garrett Centre.

For this special event, Marilyn presented an artist talk reflecting on her body of work and sharing her research on performance art and time. Following the talk, there was a Q&A chaired by curator Joseph Morgan Schofield.

This event was part of CEREMONY: A Festival of Performance, presented by Future Ritual, in April, 2025.

This special issue of Burlington Contemporary Journal is dedicated to drawing and has been realised in collaboration with Drawing Room. Surveying work made over the last sixty years, this issue examines the radical potential of drawing and its varied role in artistic practice. The issue includes artist commissions by Jade Montserrat and Emma McNally, and a profile of Massinissa Selmani by Roger Malbert.

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

pg.49-57

Hyunjin Kim contextualises siren eun young jung’s audio-visual work at the 2019 Venice Biennale in relation to queer performance in South Korean history.

Art Review Issue 26  / October 2008

pg. 74-81

Feature on Elmgreen & Dragset : Inconvenient Truths

Performance Research Vol 6. No. 1. Spring 2001

Departures

The first of three related issues which engage with the migrations of people, performance and performance cultures, generating writing around differing geographies and histories of travel and travelling performance in a diversity of written and visual forms.

Between Journeys : an Interview with Lee Wen

Woon Tien Wei

pp. 3 – 7

A publication with an essay by Stephen Ellcock in which he exemplifies the spiritual and mythological references in Delaine Le Bas’s work and in particular in the installation conceived for the Secession with references from Greek mythology and ancient Egyptian death cults.

Languages: German, English

Can Taiwan performing/performance art be an avant-garde strategy for cultural exchanging with Shanghai e-Art Festival?

-Referring to the changing face of British Live Art.

Research study by Catherine Jiang.

On Ageing (&Beyond)

Performance Research Volume 24 Issue No 3 April/May 2019

pg 40-48

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p4-20