Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021

Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021

Contemporary Theatre Review, Volume 31 Issue Number 3 August 2021

Owen Parry interviews “legend, icon, wild-hearted demoness bad-girl bitch” – Penny Arcade.

DANCE THEATRE JOURNAL Vol 24 no.3 2011
pg43-47

DANCE THEATRE JOURNAL Volume 24 no.3 2011
pg 15-19

Steirischer Herbst is an interdisciplinary festival for contemporary art. Since 1968, it has taken place annually in Graz and Styria, Austria, combining the visual arts, performance, theater, opera, music, and literature to varying degrees. This programme lists events during the 2016 edition of the festival.

Through an exploration of both practice and theory, this book investigates the relationship between listening and the theatrical encounter in the context of Western theatre and performance. Rather than looking to the stage for a politics or ethics of performance, Rajni Shah asks what work needs to happen in order for the stage itself to appear, exploring some of the factors that might allow or prevent a group of individuals to gather together as an ‘audience’.

On queering censorship in the Aichi Triennale 2019.

Performance Research pg 84-91, On Diffraction, Volume 25, No 5, July/August 2020.

This book is packed with thoughtful exercises distilled from twenty-five years of interdisciplinary artist workshops and teaching devising and performance making at universities in the United States and the United Kingdom. Created and curated by Leslie Hill and Helen Paris, artists who work internationally at the interface of academia and professional practice, this collection provides exercises for devising, composing, and editing original works.

Canada’s longest-running new works festival is a hotbed of experimentation, where artists explore new possibilities in theatre, dance, music, and performance art.

In 2021, Rhubarb proposes an alternative: the creation of a physical performative publication that attempts to capture the energy of Rhubarb and, perhaps, recreate the live performance experience itself.

Over 20 artists respond to the prompt to bring performances to the page, with some projects published in the festival publication itself, and other interventions performed on the book after printing. Contributions range from colouring pages to a fever-dream drag performance; from a meal to music inspired by the turning of a page; and from choreographic scores to unearthed histories, real or imagined.

Edition 791/888