British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012).
British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. Set in an ideal world where the labour of performance can take time and place, can be witness and witnessed, can live and let live, uneventful is a series of compositional vignettes that exist as enduring acts of love and labour ‘in the making.’
British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. Of Things in Motion and Things at Rest sets thoughts and actions in motion on the stage in a path towards a speculative performance encounter with the realm of the nonhuman and the secret lives held within it. Through sonic exploration of mundane objects, we aim to highlight how existent ideas of performative agency can be re-applied and re-thought with and through objects.
British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. Séances of Presences is a performance lecture and moving dialogue that tests the potentials of all involved – on and off stage. Mariella Greil and Emily Sweeney dance, talk and write about immanent potentials of relationality, choreographic practice and performance.
British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. Alienating The Archive dramatises the archive through a Brechtian “making strange” of the material relations to documents and the systems of preservation.
British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. Representatives of the three venues of the event – ]performance space[, The Yard Theatre, The White Building – and the Live Art Development Agency gather with questions and reflection for an informal public conversation about the potentials of Hackney Wick in the aftermath of the Olympics and towards new and changing futures.
British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. Talking Tabloid Trans appears as a series of prints and performed dialogue, which takes the form of a Sunday Magazine show paper review, will consider the tabloids and mass media items that posit being trans as negative, trashy, spectacular and scandalous, asking the questions: can we locate a queer project that looks to expose the normative and regulative structures which operate in mainstream media? How might we contemplate the ways in which trans in the tabloids, forms and contributes to pro-outsiderness and subcultural collectives?
British Library Sound Archive recording and documentation of the “Performance Matters” events, 30 April 2010. An in-conversation between artist Walid Raad and theorist Irit Rogoff around issues of duration, transmission, materiality and process. Also see ref. D1920-3 and D1316-D1319.
British Library Sound Archive recording and documentation of the “Performance Matters” events, 30 April 2010. A Play For Offstage Voices is a score composed entirely of lines written to be spoken from off stage. Voices authored by well-known writers to call, shout, cry and exclaim from somewhere, above and within have been collected and choreographed into an ‘event score’ in which voices such as Beckett’s V, Lorca’s Voz and Stoppard’s voice (in the darkness) encounter each other in the marked off space they share. Also see ref. D1920; D1922-3 and D1316-D1319.
British Library Sound Archive recording and documentation of the “Performance Matters” events, 30 April 2010. Terry O’Connor responds to the theme of ‘duration’. with Adrian Heathfield. Also see ref. D1920-1; D1923 and D1316-D1319.