Catalogue > By Keyword > live art
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Mishandled Archive
Mishandled Archive offers a way of imagining, creating and disseminating an archive.
Substanz No 9: Performance Open-Air St.Gallen
Issue No 9 of Substanz featuring work from Performance Oper-Air St.Gallen 2018.
Text in German and English.
Kindly Donated for the Swiss Live Art Study Room Guide.
Substanz No 6
Issue No 6 of Substanz featuring text by Adela Picón and Maricruz Peñaloza.
This performance arts issue is published on the occasion of Acción|MAD17-XIV Encuentro de Arte de Acción Madrid, November 2017.
Text in Spanish and English.
Kindly Donated for the Swiss Live Art Study Room Guide.
Performance Reihe Neu-Oerlikon 2010-2019: a decade of performance art in public space
A documentation of the events and survey of the work of more than 150 performance artists and contributors from France, Ghana, Germany, Great Britain, Mexico, Serbia, Spain, Switzerland, and the United States presented over the years in the festival performance series Neu-Oerlikon (Zurich).
In German and English
Kindly donated for the Swiss Live Art Study Room Guide.
Readings from the Pulpit documentation
An evening with artists readings of extracts from significant books held in LADA’s Study Room. Part of LADA at 20.
The essence of performance art
A discussion in 17 thematic segments. 53 minutes.
Fat Activist Vernacular
Explores fat activist language.
post/performance/documentation
Artists from the Tempting Failure 2018 festival, photographed on an instant camera in the moments after their performance.
Anne Bean: Self Etc.
The first substantial survey of its kind, the publication brings together documentation of performances, drawings, videos, installations, and sculptures, as well as writings, interviews and visual essays by the artist. A series of commissioned critical essays show her to be a prolific maker of acts, objects, and multiple ‘selves’.
Kira O’Reilly: Untitled (Bodies)
The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.
