Catalogue > By Keyword > documentation
675 results | Page 6 of 68
Native Strategies 3: Rituals & Congregations
The third of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.
Native Strategies 1: So Funny It Hurts
The first of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.
Native Strategies 1: So Funny It Hurts
The first of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.
Tranny Hotel
A gathering of international transgender performers and their audiences in Liverpool in November 2011. Part of LADA screens.
Part of the Library of Performing Rights (P3041).
Uncertain Fragments
A video essay reflecting on the work and process of Forced Entertainment combining interview fragments, performance excerpts, backstage and rehearsal room material from diverse projects, focused around an excerpt from the group’s 2001 performance First Night.
Part of LADA Screens 15.
This is (Not) the Ageing Body in Dance
On Tino Sehgal’s Ann Lee and the robotisation of the ageing body.
Franklin Furnace: Performance and Politics
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
Afterlives
An evening considering questions of archives and legacies through the art and lives of four extraordinary and influential artists who have died in recent years – Ian Hinchliffe, Rose Finn-Kelcey, Lol Coxhill and Roger Ely. Inspired by the acquistion of the Ian Hinchliffe archive by Queen Mary.
16 November 2017
Inside (Improvised performance)
A one-off 30 performance produced in relation to Teching Hsieh's Outdoor film. Part of LADA Screens 4.
Live art: Definition and documentation
Considers the inter‐disciplinarity of ‘Live Art’ as a field of work and as a performance practice.
From the British Live Art: Essays and Documentation issue.
