Explores contemporary approaches which have sought to renew criticism’s energies in the wake of a ‘theatrical turn’ in recent visual arts practice, and the emergence of a ‘performative’ arts writing over the past decade or so.
This item is part of the Study Room Guide: On Falling by Amy Sharrocks (P2249) and the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
