A spectacular live soundtrack to the route of the participatory live art event, curated by Tai Shani. The CD includes the songs from the walk, text by Tai Shani and walkwalkwalk and original artwork by Stephen Fowler.
created during the residence at Camden Arts Centre, 31st August – 6th September 2006.
A publication where the work Fabião has been developing in the streets since 2008 acquires a new dimension. Containts extensive photographic material and writings by the artist and original essays.
Acconci's Mur Island in Graz forges a closer bond between life on the river and in the two halves of the city. The book documents the different stages of the design, and places sketches and computer simulations next to remarkable photographs of models as well as shots of the finished island. An interview with Vito Acconci and a presentation of the diverse work by the Acconci Studio round off the book. In German and English.
An overview of Poro: Brazilian company engaged in poetic, ironic and political actions. In Portuguese and English.
An international survey that brings together 40 of the most influential approaches to art in public.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Documentation of projects investigating environments for societal production of civic understanding through a series of durational performances that encouraged discursive public encounters in civic squares and related urban environments.
A collection of postcards designed by Katayoon Forouhesh, each representing an imagined performance conveived by 14 Iranian and British independent artists. Part of ABOVE, a festival of imagined performances on rooftops, conceived and curated by Andy Field (Forest Fringe, UK) and Iranian artist-producer Nima Dehghani.
Research booklet for a collaborative project initiated by live artist Tania El Khoury and researcher and architect Abir Saksouk. “Nothing To Declare” was the group’s first lecture performance and was developed during a residency at Watermill Studios in the United States in April 2013. Also see video documentation ref EF5156.
Trailer of a collaborative project initiated by live artist Tania El Khoury and researcher and architect Abir Saksouk. “Nothing To Declare” was the group’s first lecture performance and was developed during a residency at Watermill Studios in the United States in April 2013. Also find the project's Research Booklet as P2662.
The catalogue for an exhibition at Kasa Galeri, October 31 – December 5 2014, curated by Marquard Smith and exploring, with a peculiar British sense of humor, how art can face up to the social and cultural challenges.
Article explore two organizations in London area of Peckham: Royal Court Theatre Local and Peckham Space.
Documentation of European performance art collective C and H's project 'Postcard from the Future'
A comprehensive mid-career retrospective of Acconci's work
Diaries of the artist David Wojnarowicz, capturing the emotional, sexual and political chaos of modern urban life.
2012 film revisiting the artist’s 1995 Liverpool street performance of the same name
Essay commissioned by ArtsAdmin for Noemi Lakmaier’s piece ‘One Morning in May’. Located in Miscellaneous Articles folder 4.
The Polis Series was an inter-disciplinary collaboration which explored questions about the performativity of knowledge. It hoped to critique and enact some of the ways in which knowledge is generated in terms of a poetics of the body in performance.
This booklet tells the story of just one building in the vast metropolis of London – 60 Farringdon Road. Neither particularly distinguished nor particularly old, the building’s past – and that of the immediate neighbourhood of Clerkenwell – illustrates the ebb and flow of city life and commerce, the arriving technologies, fortunes and fashions.
Through fact and fiction, questions and answers, writings from the heart and writing from the street, Common chronicles one day of a Self-Appointed-Artist-in-Residence in the City of London. Performances occur and reoccur as this book takes us to crashes in global markets, turbulence in the Euro-zone, riots on hot summer nights and the most extraordinary imaginings.
An artists’ book documenting an intervention in a derelict house in North London. Due to the delapidated condition of the house, the public could not visit the house, so Terry Smith made a photographic record of individual impressions of each room.
Performance text. In Nights in this City, Forced Entertainment takes its audience on a coach tour of various locations in Sheffield. The performance consisted of commentary by two consecutive guides, a series of staged interventions in the city streets and other unpredictable events. Small booklet in large folder.
Catalogue of the work presented by the artists representing Ireland at the 26th biennial on “Free Territory” extraterritorial zone where artists erect their utopian settlements. Includes audio CD (see REF. D1968).
AUDIO CD accompanying the catalogue (see REF. P2018) of the work presented by the artists representing Ireland at the 26th biennial on “Free Territory” extraterritorial zone where artists erect their utopian settlements.
Handbook of recollections and practical exercises exploring the art of walking and its modern uses. This item is referenced in the Making Routes Study Room Guide (P1964).
Presentation transcript. In Miscellaneous Articles 3.
Documentation of more than 150 artists who participated in Performa 09.
This item is part of the Study Room Guide to Remoteness (P2600).
Captures the multitude of dance ‘languages’ set against a backdrop of iconic East London locations, celebrating the changing landscape of the area and featuring over 100 local dancers.
Flávia Müller Medeiros was commissioned by COLONY to make a new work, a film made on residency in Vilnius, Lithuania, capturing the activity of people in the new town square.
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
A consultation document proposed and developed by the Cultural Strategy Group for London, for Ken Livingstone.
As the Creative City model for urban regeneration founders on the rocks of the recession, and the New Labour public art commissioning frenzy it triggered recedes, the authors take stock of an era of highly instrumentalised public art making.
Contaminate the city was a workshop formulated to explore site-specific and participatory performance practice.
A Performance Documentation of Raumlabor’s Duismulsen U(topie) 18