The first of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.
Explores how Marina Abramović has subtly incorporated the law to her economic and professional advantage.
A special edition of the Cooper Gallery periodical: a complexity of perspectives and positions by artists, curators and writers are brought together reflecting on and interrogating the necessarily shifting nature of identity and its other.
15 writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa.
Part of the Library of Performing Rights (P3041).
A video essay reflecting on the work and process of Forced Entertainment combining interview fragments, performance excerpts, backstage and rehearsal room material from diverse projects, focused around an excerpt from the group’s 2001 performance First Night.
Part of LADA Screens 15.
A short video derived from the photographs, rehearsal footage and other documentation of And I – a single channel eight-hour video of Marcia Farquhar speaking without edits of sustained pauses.
Part of LADA Screens 7.The film was availble online between 24 Feb and 9 March on the LADA Screens Channel.
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
An evening considering questions of archives and legacies through the art and lives of four extraordinary and influential artists who have died in recent years – Ian Hinchliffe, Rose Finn-Kelcey, Lol Coxhill and Roger Ely. Inspired by the acquistion of the Ian Hinchliffe archive by Queen Mary.
16 November 2017
A one-off 30 performance produced in relation to Teching Hsieh's Outdoor film. Part of LADA Screens 4.
A performance by of the UK’s most ‘genuinely terrifying’ artists.
This video was part of LADA Screens, and was available online from 15 – 29 July 2015.