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The Scene of Foreplay: Theater, Labor, and Leisure in 1960s New York
Analyzes artistic performances, social performances, archival remains, and memoirs of the underground theater scene in 1960s New York.
Singapore’s Visual Artists
Publication cataloguing visual artists from Singapore.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
After Kathy Acker: A biography
At once forensic and intimate, the biography traces the extreme discipline and literary strategies Acker used to develop her work, and the contradictions she longed to embody.
Unruly Utterances: Participation, Criticality and Compass Festival 2014
10 practitioners from different backgrounds reflect on the broad themes of participation, audience, criticality and writing in a series of short essays and provocations inspired by their own practice and numerous works in Compass Festival 2014.
Worth The Trip
Commissioned by Newlyn Art Gallery to mark their extension and the opening of The Exchange Gallery in Penzance, in 2007. The book is the outcome of an extensive process of cataloging and extracting repeated words and phrases from the gallery visitors book from a three year period.
Katherina Radeva images
Images from Bird Can Fly (2003), Deferral (2003), Inside Out (2004) and Setting Dirt (2005).
Goat Island reading companions
Includes: It’s an Earthquake in My Heart: Reading Companion; The Sea & Poison: Reading Companion; North True South Free; The Lastmaker
Wheels on Fire
Video. Commissioned by the Science Museum and Apples and Snakes as part of the Faltered States show. Performed at the Science Museum on 21 March 2003 and at Battersea Arts Centre on 28 March 2003.Part of the Library of Performing Rights (LPR) (P3041).
Ich war ja noch nie vorher im Ausland, ich wusste uberhaupt nicht, was Asyl ist
Artist book. Text in German.
Part of the Library of Performing Rights (LPR) (P3041).
Panopticon Ultranormal / What is Love / Geneva is Here
Artist book, containing documentation from the three performances. Text in German.
Part of the Library of Performing Rights (LPR) (P3041).
