This item is referenced in the Making Routes Study Room Guide (P1964).
Part 2 of a serialised story.
Anti-manifesto for changing a world while exploring it: a tool for playful debate, collaboration, and intervention.
This book is for any visitor resident of the Elan Valley to enjoy a creative way of exploring the area and thinking about history, nature, and people.
Maps the vast stretch of urban settlement outside London bounded by the M25.
In his third one-year performance piece, from 26 September 1981 through 26 September 1982, Hsieh spent one year outside, not entering buildings or shelter of any sort, including cars, trains, airplanes, boats, or tents.
This video was part of LADA Screens, and was available online between 12 and 26 October 2015.
A one-off 30 performance produced in relation to Teching Hsieh's Outdoor film. Part of LADA Screens 4.
An occasional publication that aims to collate and investigate ideas around place, or more specifically: “indeterminate geographies”. In the second issue, the topic is ‘suburb’.
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
Includes instructions from more than 35 artists’ walks along with a section that features the insights and philosophy of Elastic City Founder who spent 14 years presenting and refining walks. The section, titled ‘Creating Your Own Walk,’ covers conceptual, narrative and logistical concerns, how to encourage participation and how to best promote this work.
The culmination of a year-long project at BalinHouseProjects (BHP), an artist-run, not-for-profit space by Eduardo Padilha at his flat in Tabard Gardens North Estate.
Part of Library of Performing Rights (P3041).
Brings together writings and words from the project which looked through the lenses of science, ecology, and poetry, to explore the ways we relate to soil.
Part of Library of Performing Rights (P3041).
Composed in the twelfth century in north-eastern Iran, this great mystical poem is among the most significant of all works of Persian literature.
Translated by Sholeh Wolpé