Artist/Author: Leslie Hill, Helen Paris | Reference: P4190 | ISBN: 978-1789384710 | Type: Publication
This book is packed with thoughtful exercises distilled from twenty-five years of interdisciplinary artist workshops and teaching devising and performance making at universities in the United States and the United Kingdom. Created and curated by Leslie Hill and Helen Paris, artists who work internationally at the interface of academia and professional practice, this collection provides exercises for devising, composing, and editing original works.
‘The book, that started four years ago as a possible form in which my ephemeral works could live on, gradually developed into an intensive writing project about movement and the imaginative power of language.’ Toine Horvers
This series of interviews, held by curator and writer Gilane Tawadros are focussed entirely on Stuart Brisley’s practice and directed by him. The artist’s narration of his practice demonstrates an unswerving resistance to controlling the narrative or fixing the meaning of his works.
Artist/Author: Maddy Costa, Mary Paterson | Reference: P4163 | ISBN: 978-1-5272-5756-6 | Type: Publication
This book was produced as part of ‘Challenging Archives’, at. the University of Bristol Theatre Collection: a Wellcome funded project to catalogue and conserve the archive of the artist Franco B. Maddy Costa and Mary Paterson were writers in residence for the project from 2018-2020.
This publication presents a web of information: the artist’s own statements- essentially descriptions and photographs of her pieces, comments and an interview- together with contributions from different authors on various aspects of Muda Mathis’ work.
Kindly donated for the Swiss Live Art Study Room Guide.
Artist/Author: Hugo Glendinning, Alex Eisenberg | Digital Reference: EF5388 | Type: Digital File
This short documentary film maps Performance Magazine’s history and legacy by bringing together original editors, guest contributors and others connected to the magazine to reflect on it over 30 years on.