FAT

Video documentation of an artist conversation with Sahera Khan on 1st March 2024 at The Garrett Centre. This conversation followed screening of Sahera’s film My Glow as part of our LADA Screens programme on Voice, Care and Healing. Following the screening Sahera engaged in a Q&A with the audience and gave a short BSL lesson.

In My Glow (2023), Aa mature, Deaf, Muslim, British Sign Language (BSL) mother shares her pregnancy journey through the pandemic, and how she coped with limited communication with others such as the health service.

This is a video file. For a version with closed captions, visit our vimeo channel

Video documentation of an artist conversation with Lucy Sheen on 28th June 2024 at The Garrett Centre. This conversation followed screening of Lucy’s film Abandoned, Adopted Here as part of our LADA Screens programme on Voice, Care and Healing. Following the screening Lucy gave a performative reading of the poem I Know This Face, followed by a panel on the complexities of post-pandemic working in cultural and performative spaces for British East and Southeast Asians. With Jennifer Lim (Chair), Rosa Fong, Lucy Sheen, and Moi Tran.

Abandoned Adopted Here explores the nature of belonging in the British society and the unheard, silenced, and often erased voices of British East and Southeast Asians with mixed heritages and complex identities.

This is a video file. For a version with closed captions, visit our vimeo channel

Video documentation of an artist conversation with Lateisha Davine Lovelace-Hanson, on 26th APril, 2024 at The Garrett Centre. This conversation followed a screening of Lateisha’s film The Gift as part of our LADA Screens programme on Voice, Care and Healing. Lateisha was  joined by collaborators Kes Gill-Martin and Ava Riby-Williams for a discussion and interactive sonic/music offerings.

The Gift (2022) is a single-take style short film, weaving together performance for camera, original sound composition and poetic storytelling that fuses speculative fiction and autobiography. We are invited into the artist’s home, to witness them playfully uncover (and reclaim) stories of grief, body, love, nature and home-making.

This is a video file. For a version with closed captions, visit our vimeo channel

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

pg. 59-67

In Acts of Affect, siren eun young jung returns to the disappearing Yeoseong Gukgeuk theatre. In her discussion of the project, Ashley Chang examines how masculinity is produced by women.

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

pg.49-57

Hyunjin Kim contextualises siren eun young jung’s audio-visual work at the 2019 Venice Biennale in relation to queer performance in South Korean history.

shado Issue 02: Global Womxnhood

Feature/Poetry by Fatimah Asghar with Art and introduction by Sabba Khan.

This title offers the gender-bending performances of Dlane Torr, creator of the Man for a Day workshops. This book documents and contextualizes the development of Torr’s internationally celebrated workshops, as well as her own ongoing experiments in performing gender-play in theaters, galleries, and clubs.

A Study Room Guide by writer, filmmaker, artist, performer and activist Dolly Sen looking at madness and mental health

On Ageing (&Beyond)

Performance Research Volume 24 Issue No 3 April/May 2019

pg 40-48

Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021

Contemporary Theatre Review Volume 31 Issue Number 3 August 2021

Owen Parry interviews “legend, icon, wild-hearted demoness bad-girl bitch” – Penny Arcade.

DANCE THEATRE JOURNAL Vol 24 no.3 2011
pg43-47