A special issue of the journal on art and China now.
Catalogue of the 7th Art of Encounter, focuses on anagrammatic encounters. 4/10-26/10 2018.
In german and English.
A collection of prophetic dream texts and images found in the ribcage of an ancient Priestess buried in a Sky Temple of former Tibet.
The first book to explore the various ways the human body has been both an inspiration and a medium for artists over hundreds of thousands of years.
For the 11th edition of DRAF Curators’ Series, guest curator Victor Wang 王宗孚 launches the Institute of Asian Performance Art (IAPA), an international network to deepen the awareness and understanding of the history of early performance art in Japan, Korea, China and Taiwan.
Speculates on the possibility and implications of selling back the remains of the British Empire in London today. Based on a public installation in London in the fall of 2016, the book catalogues and develops the installation’s critical program of discussions, performances, dinners, installations, and screenings hosted at 91-93 Baker Street.
Part of the Library of Performing Rights (LPR) (P3041).
The first of its kind in English, this book is more than a city guide to Hong Kong through the medium of film; it is a unique exploration of the relationship between location and place and genre innovations in Hong Kong cinema.
Exhibition catalogue. Alternative Space Loop, 16 December 2016 – 12 January 2017.
The video juxtaposes the various form of mediation from one historical event – the 1980 student massacre – according to linear time line. The public memory of the incident is formed and moulded with mediated images and languages.
Includes: Foreign Sky, Beast of Me and Still Hear the Wound.
Catalogued with a spanned DVD.
Comprehensive overview of China's performance art in 2015. Includes essays, five case studies and information on over 100 artists. In Mandarin.
21 passionate statements from practitioners in the field of participatory art from Myanmar, Japan, Germany, Malaysia, Thailand, Indonesia, the Philippines, Singapore, Hong Kong and China. Their contributions help to define a complex practice, that takes many forms and is called by many names, but is united by a spirit of giving, receiving and reciprocating in art-making.