Skip to main content

A Dilemma: An Enquiry into Steve Hater’s Arabic Tattoo

Notes

This catalogue item has no notes associated with it.

Artist / Author St. Pierre & Miquelon
Reference P1404
Date 2008
Type Publication

Keywords

Similar items

F A U L T L I N E S

Artist/Author: SITE | Type: Digital File

F A U L T L I N E S (2022) is a performance video from SITE, screened at LADA as part of Fringe! Queer Film & Arts Fest exhibition The Body Is a Thing in Time, curated by kane stonestreet.

cock~salt

Artist/Author: Claye Bowler | Reference: EF5414 | Type: Digital File

cock~salt (2025) is a performance to camera by Claye Bowler, screened at LADA as part of Fringe! Queer Film & Arts Fest exhibition The Body Is a Thing in Time, curated by kane stonestreet.

Beyond Survival

Artist/Author: Léann Herlihy | Reference: EF5413 | Type: Digital File

The Hologram

Artist/Author: The Hologram | Reference: P4315 | Type: Publication

The Hologram is a feminist health militia that produces networks where we can practice skills like trust, communication, and cooperation that will help us outlast capitalism.

The Falls Fell

Artist/Author: Kira O'Reilly | Editor: David Caines, Mary Kate Connolly | Reference: P0946 | Type: Article

A short text and image piece by artist Kira O'Reilly, accompanied by a photo of O'Reilly's "Menopause Gym."

Blood Show

Artist/Author: Ocean Stefan | Editor: David Caines, Mary Kate Connolly | Reference: A0944 | Type: Article

In a cyclical feat of endurance and precision, Blood Show is a raw, euphoric choreography between 3 figures and 75 litres of fake blood. A call to action to put what’s inside on the outside and defend against a violent gaze, Blood Show questions rebirth and how we all carry our ghosts with us.

Fearing the Black Body

Artist/Author: Sabrina Strings | Reference: P4301 | ISBN: 9781479886753 | Type: Publication

Sabrina Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals–where fat bodies were once praised–showing that fat phobia, as it relates to black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of “savagery” and racial inferiority.
Fearing the Black Body argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. An important and original work, it reveals that fat phobia isn’t about health at all, but rather a means of using the body to validate race, class, and gender prejudice.

Becoming an Artwork

Artist/Author: Boris Groys | Reference: 4255 | ISBN: 978-1-5095-5197-2

Before we begin to practice self-design, we find ourselves already designed by the gaze of others. That is why the practice of self-design mostly takes a critical and confrontational turn. We want to bring others to see us in the way we want to be seen – not only during our earthly life but also after our death. This is a complicated struggle, and the aim of this book is to describe and analyze it.

Decolonising Performance Pedagogy - A position paper from Bangalore, South India

Artist/Author: Shabari Rao | Editor: Felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A0916 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg9-10

 

They Are All at Least Seventy - An exploration of female resistance to the decline narrative in theatre and live art

Artist/Author: Beth Watton | Editor: Richard Gough, Nanako Nakajima | Reference: A0915 | Type: Article

On Ageing (&Beyond)

Performance Research Volume 24 Issue No 3 April/May 2019

pg 40-48

Critical Anachronisms : Wael Shawky's The Song of Rowland : The Arabic Version

Artist/Author: Katia Arfara | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0913 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p46-60

An Introduction to the Phenomenology of Performance Art : SELF/s

Artist/Author: T. J. Bacon | Reference: P4212 | ISBN: 978-1-78938-530-4 | Type: Publication

Applying a queer phenomenology to unpack the importance of a multiplicity of Self/s, the book guides readers to be academically rigorous when capturing embodied experiences, featuring exercises to activate their practices and clear introductory definitions to key phenomenological terms. Includes interviews and insights from some of the best examples of transgressive performance art practice of this century help to help unpack the application of phenomenology as Bacon calls for a queer reimagining of Heidegger’s ‘The Origin of the Work of Art.’

Donation

£