Part of Berlant’s groundbreaking “national sentimentality” project charting the emergence of the U.S. political sphere as an affective space of attachment and identification.

Collected for the first time in print, over a decade of texts from one of British theatre’s fiercest voices, documenting the extraordinary site-specific solo performances which have run parallel to Bartlett’s work as a mainstream director.

An insight into contemporary music research, based on these three concepts: Om, Mars, and Venus.

Charlie Murphy, text+work, includes essays by Mark Segal ‘In the best possible taste’, Alistair Gentry ‘The Archive of Imaginary Interiors’, Luce Irigay ‘Towards the Sharing of an Invisible Touch’, and Leonore Tiefer ‘On Kissing’. www.textandwork.org.uk

Spill National Platform 2009

Spill National Platform 2009

Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.

Paul Granjon, The Heart and the Chip, Reflections and experiments of the co-evolution of human and machine

‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.

Part of the 'Documentation Bank' Collection, an extensive range of artists' 'Talking Heads', documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)