Reflects the ways in which the practices of artists who work with Live Art have engaged with, represented, and problematised issues of disability in innovative and radical ways, and the ways in which Live Art has been, and continues to be, a potent platform for artists to explore notions of physicality, identity and representation.
This book is exactly 25,000 words long which corresponds to the 25,000 metres or strokes the artist swam during the month her Mother was dying.
*currently unavailable*
Catalogue of a solo exhibition of He Chengyao’s work at Shangahi Zendai Mueum of Modern Art in September 2007. Includes documentation and critical writings around key performance and photography projects created since 2001 and new photographic and video work examining issues of poverty and mental health in China.
This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
Amsterdam readings on the Arts and Arts Education. Drawing on contemporary practice and scholarship in the fields of dance, performance and installation art, theatre/archaeology, ethnography, holistic bodywork and the history of medicine, the collection provides insights into the body as a problematic site of performance and suggests a ‘new authenticity’ which equates both its phenomenological and representational aspects. This item is part of the Study Room Guide: On Falling by Amy Sharrocks (P2249).
Brochure, Publication accompanying the homonymous exhibition presented at the Shanghai Zendai Museum of Modern Art, 2-16 September 2007. Text by Wang Nanming, Chinese and English
Originally printed in Text and Performance Quarterly, Vol. 28, Nos 1-2, Jan-April 2008 pp.160-177. Find article in misc. folder 1.
Photographic documentation from VITAL 07 – International Chinese Live Art Festival. Developed in association with the Live Art Development Agency and the Chinese Arts Centre, Manchester
Video documentation from VITAL 07 – International Chinese Live Art Festival. Developed in association with the Live Art Development Agency and the Chinese Arts Centre, Manchester
This item is part of the Study Room Guide On Performance in China by Adele Tan (P1114)