Catalogue > By Keyword > identity
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David Wojnarowicz: Tongues of Flame
Collection of texts and essays about the life and work of David Wojnarowicz
Oleg Kulik: Performances 1991-2003
DVD comes with publication THE MAD DOG, OR LAST TABOO GUARDED ALONE BY CERBERUS
Johnny Amore: Performers
since 2009, Johnny Amore has been taking portraits of artists who are active in the international performance and live art scene
Bodily Functions In Performance Study Room Guide
Shit, piss, blood, sweat and tears is a new Study Room Guide compiled by Lois Keidan on the theme of bodily functions in performance. The Guide consists of notes from Lois Keidan's presentation for Blackmarket No 11 2008, with added images and recommendations for further research and study
Access All Areas: Live Art and Disability Review
Located in Miscellaneous Articles folder 5A.
Polis: An Arena for the examination of a South African Town
The Polis Series was an inter-disciplinary collaboration which explored questions about the performativity of knowledge. It hoped to critique and enact some of the ways in which knowledge is generated in terms of a poetics of the body in performance.
Noemi Lakmaier: appearance, representation and identity
Essay commissioned by ArtsAdmin for Noemi Lakmaier’s piece ‘One Morning in May’. Located in Miscellaneous Articles folder 4.
Staging Black Feminisms: Identity, Politics, Performance
Staging Black Feminisms sets out to challenge perceptions of black women’s theatre work as inherently feminist. Drawing on black feminist theories of identity and theories of black and feminist performance form, it analyses key themes such as migration, motherhood, sexuality, mixed race identity and interracial relationships in a range of late-twentieth and early twenty-first century black British women’s plays and performances.
Radical Gestures: Feminism and Performance Art in North America
In Radical Gestures, the first comprehensive history of feminist performance art in North America within the social context of the feminist movement and avant-garde art from the 1970s to 2000, Jayne Werk shows that artists drew from feminist politics to create works that, following a long period of modernist aesthetic detachment, made a unique contribution to the re-politicization of art.
C’undua 2001-2003, A Pact for Life
Publication and 2 DVDs, one multimedia, one audio/video.
