Documentation of the event series “Influences’; collaborations with groups of women from across London, exploring current attitudes to gender equality, feminism, female expectations and individual agency. Collected material.

This essay extracted from Études Irlandaises (n° 39-1) examines “Redress” (2010-2012), a series of performances by artist Áine Phillips that interrogate the legacy of abuse perpetrated in Irish residential institutions in the 20th century.

Exhibiiotn catalogue documenting selected works by the African-American sculptor, environmental artist, and performance artist influenced by and with affinities to Eva Hesse.

Comprehensive monograph on artist Rose English’s 40-year career to date, including legendary site-specific performances and large-scale spectaculars.

This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)

This book examines the rise of women artists in the late 20th century, viewed through the work of 12 key figures.

A compilation of several interviews in which the artist discussses her personal history and some of the many creative collaborations.

This double-sided catalogue accompanied the solo exhibition of the same title first held at Dolhousie Art Gallery, Halifax, Canada in 2009.

An anthology of erotica, sexual culture, passionate texts, sensual encounters and essays on gender bending.

A cutting parody that dissects hypocrisy and hypercommercialism by taking Pooh and Christopher Robin, Tigger and Eeyore out of their fairy tale and into real life.

This publication explores many Western world’s construction of the body as a theoretical, philosophical and political concept.