Published in France in 1965, the book reintroduced the Dada movement to a public that had largely ignored or forgotten it. More than forty years later, it remains both the unavoidable starting point and the essential reference for anyone interested in Dada or the early-twentieth century avant-garde. Translated by Sharmila Ganguly.

This book is an investigation of how the use of petroleum, in every aspect of our lives, limits our capacities to think about surviving climate breakdown, and how it shapes the things we do and inhibits our capacities to think future ways out of it. Pocket-size book.

The book assembles the work of 136 different collectives and artists, both Mexican and foreign, who created some 200 works in Mexico City over the period of a decade. Texts: Cuauhtémoc Medina, Edgar Hernández, Inbal Miller, Patricia Sloane, Guillermo Santamarina. Bilingual edition.

Escandalario was the failed dream of an art gallery. The author revives the name in a book that critically reviews the involvement of artists in México in 3 basic economic activities of the free-market system: production; distribution and consumption of art. Contains a very helpful bibliography on the subject.

A discussion dealing with the topics of art in the Croatian educational context. Interviewees Dijana Curkovic, Hrvoje Juric, Martina Kontosic, Andreja Kuluncic, Zdravko Popovic, Izvor Rukavina talk about their experiences of self-organisation in the field of institutional education and the role of art in education.

A conversation between the founders of Artleaks platform as an example of an organization of artistic workers struggling against exploitation, together with the limitations which such coming together into an association necessarily implies, from the difficulty of union organizing of the so-called creative workers to the lack of political force that would press for the transformation of social relations.

The book encompasses unusual and cutting-edge foods, radical dining events, “kitchen laboratory” experiments, food sculptures and other documentation of the transient moments that make up this field of experimentation’, as well as a study of the connections between dining, theatre and ritual, and a survey of recent research in science and technology, and how this may impact on how we make, eat and perceive food.

Take The Money And Run? was an event about ethics, funding and art that took place at Toynbee Studios, London on January 29, 2015 – a day of presentations and discussion hosted by three organisations, Live Art Development Agency, Artsadmin, Home Live Art and produced in collaboration with Platform. This is Mary Paterson commissioned written response to the event.

The Disagree. magazine is a result of the cooperation between a changing group of artists, curators, and theoreticians operating fully independently.  They join forces under the name of the Disagree. Art assembly.  Those who write for the Disagree. magazine automatically become part of the editing team and thus of the assembly.  The editors of the first issue are Jeff Poak, Jean Gotthard, Harald Pogel, Nazim Besikci, Jana Tupivic, Anna Siegel.