Live Art and Disability, Access All Areas: Robots Destroy the Tower of Babble! Digital reference refers to folder containing 4 movies. British Library recording, (see also Manuel Vason footage, EF5044)
Live Art and Disability, Access All Areas: Robots Destroy the Tower of Babble!Digital reference refers to folder containing 4 movies. Manuel Vason footage (see also British library recording, D1624)
Box archive of Anne Bean’s Legacy Project TAPS: Improvisations with Paul Burwell co-curated by Robin Klassnik and Richard Wilson.
Reflects the ways in which the practices of artists who work with Live Art have engaged with, represented, and problematised issues of disability in innovative and radical ways, and the ways in which Live Art has been, and continues to be, a potent platform for artists to explore notions of physicality, identity and representation.
Curated by the Live Art Development Agency for Liveworks, at Performance Space Sydney 10 – 14 November 2010.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
XXXmissing. This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
XXXmissing. This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
Includes essays and reviews about the work of Brian Catling. This item is part of the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115)
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Issue 6 of liveartwork DVD, a unique publication showcasing contemporary live art.
Issue 6 features a diverse range of text based performance work, ranging from some of the most interesting work in contemporary performance theatre to documentation of a live performance by one of the founders of sound poetry.