Empowered Expression from Bausch and De Keersmaeker

The Hologram is a feminist health militia that produces networks where we can practice skills like trust, communication, and cooperation that will help us outlast capitalism.

This collection brings together six seminal works of British alternative feminist and women’s theatre from the archive, with a contextual introductory text by Dr. Susan Croft, co-founder of Unfinished Histories.

A compilation of images by Anne Bean from Dubinski notebooks. 

Article and performance photos from artist Eirini Kartsaki.

Este livro é composto de narrativas simbólicas construídas por diferentes mulheres, tendo como disparador criativo as memórias e vivências da orla e da cidade de Fortaleza. Suas palavras presentificam a forma como o corpo e a subjetividade feminina constituem historicidades para além das impostas sócio-historicamente. Mergulhar nele é entrar em outros mares.

This publication is in Portuguese (Brasil)

Documents the work of fourteen performance artists who marked the personal and political resonances of the new Millennium in a series of site-specific actions. Contrasting with the epic, populist and homogenising nature of the official celebrations, these works focused on forgotten and ephemeral experiences, enacting small but significant interventions in the public sphere.

Yoko Ono is an artist who has made an indelible mark on contemporary culture and political activism through her radical and innovative practice. This remarkable and essential publication, developed n collaboration with Yoko Ono and her studio, traces in full the evolution of an artist whose visionary spirit has transcended boundaries and challenged conventions. In Music of the Mind, explore the world of Yoko Ono and discover the profound impact of her art on the collective consciousness of our time.

Wait it Out is published in relation to the research and preparations made for Sandra Johnson’s solo exhibition at Project Arts Centre in 2019 with newly commissioned works. Through an extensive conversation between the artist and curator, editor Livia Paldi, and additional texts and visual documentation the book presents a rich trajectory and variety of reflections to relate to the exhibition and performance at Project, as well as the pre-history that undergirds the project with special focus on Johnson’s work in Dublin during the 1990s.

Before we begin to practice self-design, we find ourselves already designed by the gaze of others. That is why the practice of self-design mostly takes a critical and confrontational turn. We want to bring others to see us in the way we want to be seen – not only during our earthly life but also after our death. This is a complicated struggle, and the aim of this book is to describe and analyze it.

This book proposes a provocative interpretation of the relationship between the normative imagination defined as a cognitive mode characteristic of the era of affective capitalism. Porta analyzes gender, fashion, artistic creation, and surveillance from the perspective of a regulatory drive, a continuously renovated and imperative push for normalcy that now comes not from the state or mass media, but from citizens themselves. These, united in a spontaneous popular court, armed with smartphones, and driven by a juridical compulsion, become the axes of societies of control. In this way, the distinctive pathology of our times gives rise to a globalized game: normopathy for all.

This Workbook is the result of RESHAPE – REflect, SHAre, Practice, Experiment, a bottom-up, collaborative research and development project that brought together artists, art workers, and organisations from Europe and the southern Mediterranean to create alternative ways of working towards a fairer arts ecosystem. The project was a response to the challenges of the art sector, infusing its practices with fairness, solidarity, and sustainability and aligning them with with society and its evolutions. The authors – including artists, scholars, and critical thinkers – analyse and contextualise current challenges, thus outlining the spirit of our times that informs and inspires the prototypes.

What position does America occupy in the recent history of western philosophy?

At a time when the syntagm “America” has come to crystallize a certain understanding of the world order, interrogating the place that it occupies in our intellectual and haunted tradition is also a way to engage critically with the violence attached to it. America’s self-understanding involves violence, but this violence may well be different from what we imagined.