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Second edition of Material concerns itself with in/visibility in contemporary artistic practice, especially dance.
Pulls together rich elements of music, physical space, visual arts, text and movement; contemplates violence, without relying on sensational anecdote.
Sheds light on a range of practices in the area of contemporary performance in Australia.
Takes the road less travelled to discover Britain's most astonishing and unexpected theatres.
The first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance.
The two live artists engage in a playful, theatre-inspired dialogue (complete with stage directions) in which they discuss their complicated relationships, working within theatre institutions.
British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. Representatives of the three venues of the event – ]performance space[, The Yard Theatre, The White Building – and the Live Art Development Agency gather with questions and reflection for an informal public conversation about the potentials of Hackney Wick in the aftermath of the Olympics and towards new and changing futures.
POINT is a pocket size publication published twice a year including full details of Performance Space seasonal programme, Performance Space, Sydney, Australia. Live Live season October – November 2010. 2 copies archived.
TransLab Dialogues was a one-day forum organised by Performance Space, Sydney which took place at CarraigeWorks on 5 November 2009. 2 copies archived.