-NO VIDEO-Word and Power Point files. Chinese with some text in English.
|Artist / Author||Jin-Hua Shi|
Shows how contemporary art is a powerful yet largely unacknowledged player in the articulation of depression in Western culture, both adopting and challenging scientific definitions of the condition. Ross explores the ways in which contemporary art performs the detached aesthetics of depression, exposing the viewer's loss of connection and ultimately redefining the function of the image.
Explores the agency and materiality of the archival document through a collection of critical writings and original artworks,
Combining philosophy and aesthetics, this is a unique exploration of creative practice as a form of thinking.
A new publication celebrating the various communities of barbershops across East London. Comissioned by CUT Festival: The Art of Barbering.
Combining Rubnitz’s manipulation of the familiar “look” of TV shows with an extraordinary range of characters, performer Ann Magnuson impersonates the array of female types seen on TV in a typical broadcast day.
This anthology examines the expanded field of the moving image in recent art, tracing the genealogies of contemporary moving image work in performance, body art, experimental film, installation and site-specific art from the 1960s onwards.
Book published to accompany the 2004 exhibition of the same name
Artists included: Giovanni Anselmo, Keith Arnatt, John Baldessari, Joseph Beuys, Alighiero Boetti, Marinus Boezem, Stanley Brouwn, Daniel Buren, Pierpaolo Calzolari, Jan Dibbets, Gino de Dominicis, Ger van Elk, Barry Flanagan, Hamish Fulton, Gilbert and George, Michael Heizer, Wolf Knoebel, Gary Kuehn, Richard Long, Walter de Maria, Mario Merz, Dennis Oppenheim, Klaus Rinke, Ulrich Ruckriem, Reiner Ruthenbeck, Richard Serra, Robert Smithson, Keith Sonnier, Franz Erhard, Walther, Lawrence Weiner, Gilberto Zorio
With texts by Victor Burgin, Rosalind coward, John Forrester, Rosemary Gordon, Mary Kelly, Julia Kristeva, Toril Moi, Laura Mulvey, Kathy Myers, Riccardo Steiner.
NOTE: Text is in Korean and English (publication acquired from Korea Performance Art Festival)