Inner Sun
Notes
This catalogue item has no notes associated with it.
Artist / Author | Albert Vidal Kugu |
---|---|
Reference | D0462 |
Date | 2002 |
Type | DVD |
Keywords
Similar items
LADA Screens: Sahera Khan in Conversation
Video documentation of an artist conversation with Sahera Khan on 1st March 2024 at The Garrett Centre. This conversation followed screening of Sahera’s film My Glow as part of our LADA Screens programme on Voice, Care and Healing. Following the screening Sahera engaged in a Q&A with the audience and gave a short BSL lesson.
In My Glow (2023), Aa mature, Deaf, Muslim, British Sign Language (BSL) mother shares her pregnancy journey through the pandemic, and how she coped with limited communication with others such as the health service.
This is a video file. For a version with closed captions, visit our vimeo channel
LADA Screens: Lucy Sheen in Conversation
Video documentation of an artist conversation with Lucy Sheen on 28th June 2024 at The Garrett Centre. This conversation followed screening of Lucy’s film Abandoned, Adopted Here as part of our LADA Screens programme on Voice, Care and Healing. Following the screening Lucy gave a performative reading of the poem I Know This Face, followed by a panel on the complexities of post-pandemic working in cultural and performative spaces for British East and Southeast Asians. With Jennifer Lim (Chair), Rosa Fong, Lucy Sheen, and Moi Tran.
Abandoned Adopted Here explores the nature of belonging in the British society and the unheard, silenced, and often erased voices of British East and Southeast Asians with mixed heritages and complex identities.
This is a video file. For a version with closed captions, visit our vimeo channel
LADA Screens: Lateisha Davine Lovelace-Hanson in Conversation
Video documentation of an artist conversation with Lateisha Davine Lovelace-Hanson, on 26th APril, 2024 at The Garrett Centre. This conversation followed a screening of Lateisha’s film The Gift as part of our LADA Screens programme on Voice, Care and Healing. Lateisha was joined by collaborators Kes Gill-Martin and Ava Riby-Williams for a discussion and interactive sonic/music offerings.
The Gift (2022) is a single-take style short film, weaving together performance for camera, original sound composition and poetic storytelling that fuses speculative fiction and autobiography. We are invited into the artist’s home, to witness them playfully uncover (and reclaim) stories of grief, body, love, nature and home-making.
This is a video file. For a version with closed captions, visit our vimeo channel
Tolu Agbelusi
shado Issue 2 : Global Womxnhood
Feature on poet and performer Tolu Agbelusi.
White Rabbit: Celebrating ten years of Barnes' White Rabbit
Mclarrity, Spike (2021) White rabbit : celebrating ten years of Barnes’ White Rabbit.
Bobby Baker : Redeeming Features of Daily Life
This fully-illustrated book brings together for the first time an account of Baker’s career as an artist – from her first sculptures at Central St Martins in the early 1970s to her most recent work, ‘How to Live’ and ‘Diary Drawings’ – with critical commentary by reviewers and academic practitioners.
Sex, Drag, and Male Roles : Investigating Gender as Performance
This title offers the gender-bending performances of Dlane Torr, creator of the Man for a Day workshops. This book documents and contextualizes the development of Torr’s internationally celebrated workshops, as well as her own ongoing experiments in performing gender-play in theaters, galleries, and clubs.
Exercises For Solidarity As Performance Art
This article presents the research and performance practice behind ‘The Performing Solidarity Project’.
REVIEW - On Shared Resources : Performance studies publications from a pandemic
Training Utopias
Performance Research Volume 25 Issue No. 8 December 2020
Pg173-174
Stop. Rewind. Replay. - Performance, police training and mental health crisis response
Training Utopias
Performance Research Volume 25 Issue No. 8 December 2020
Pg69-75
Critical Anachronisms : Wael Shawky's The Song of Rowland : The Arabic Version
Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p46-60
Blackness and Self-Imaging : Lorraine O'Grady's Performance as Mademoiselle Bourgeoise Noire
Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p4-20