Produced by Internationales Sommertheater-Festival Hamburg ’90. Photographic documentation by Carme Masià. Spanish and English.
Catalogue of the 7th Art of Encounter, focuses on anagrammatic encounters. 4/10-26/10 2018.
In german and English.
Over the course of 16 months Ithe artist took about 200 photographs of their reflection in the window of a derelict shop on Windsor Avenue, Fairview, Dublin 3. 52 images were selected and each is accompanied by a piece of text.
Edited in conversation with Krist Gruijthuijsen, the director of KW Institute for Contemporary Art in Berlin, to accompany the exhibitions ‘David Wojnarowicz Photography & Film 1978–1992’, ‘Reza Abdoh’, and ‘TIES, TALES AND TRACES: Dedicated to Frank Wagner, Independent Curator (1958–2016)’.
A collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the field of collaborative art.
A study of post-millennial solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism.
Part of Library of Performing Rights (P3041).
Catalogue published in conjunction with an exhibition at the Art Gallery of York University, September 6 – October 1, 1989.
Exhibition catalogue. 12/11 – 4/12 1987. In German.
Essays on the concept of total theatre, which emerged from the Bauhaus as a new aesthetic of stage design and presentation.
Berlin is once more capital of queer arts and tourism. Queerness is more visible today than it has been for decades, but at what cost? This book argues that queer subjects have become a lovely sight only through being cast in the shadow of the new folk devil, the ‘homophobic migrant’ who is rendered by society as hateful, homophobic and disposable.
Part of the Library of Performing Rights (P3041)
Peformance video: The Yard Theatre, London, January 2018 (1hr)
For a digital copy see EF5286.