The Walking Reading Group is a project that facilitates knowledge exchange in an intimate and dynamic way through discussing texts whilst walking together. The publication contains contributions from Rebecca Beinart, Kit Caless, Faiza Shaheen, Ken Worpole and John Levett.

This publication outlines strategic plans for inclusive art practices.

The book is based on an ongoing, long-term, extensive photographic project spanning over a five-year period, which follows a group of women (artists) through their pregnancies into motherhood.

Documentation of workshop presented as part an extensive programme curated by Lois Keidan and Aaron Wright (Live Art Development Agency) entitled “Just Like A Woman”, composed of lectures, performances, readings, installations, screenings, workshops and debates on performance of identity, is fully dedicated to the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics.  From the 19th edition of the City of Women (Mesto žensk) festival – 2-13 October 2013, Ljubljana, Slovenia – entitled “Let’s create a place for ourselves” on public space and politics.

A reader for “The Art of Being Many”: an assembly of about 400 artists, activists, researchers and participants from all around the planet who gathered in Hamburg at Kampnagel Internationale Kulturfabrik, 27/28-09-2014. In Miscellaneous Articles folder 4.

Reflections on the symposium hosted by Rajni Shah Projects and the Birkbeck Centre for Contemporary Theatre, London, 30 May-2 June 2013.

A documentary film that chronicles the making of an installation-cum-performance of the same name.

Exhibition guide of a gigantic interpretation of the family buzz wire game which visitors to the gallery are invited to play with.

A zine documenting a performance based on “Mystery Bouffe”, a Mayakovsky play written in 1921 for the anniversary of the 1917 Russian revolution. Over several months artist Oreet Ashery worked with a group of participants to write, produce, and direct a performance.

Documentation of the event series “Influences’; collaborations with groups of women from across London, exploring current attitudes to gender equality, feminism, female expectations and individual agency. Collected material.

Small booklet of a project response to the destruction of the National Picture Theatre in 1941.

Documents from the performances “A Greaât Stitheram” in the Greyfriars, Lincoln, and “Change in Energy = the Work” at Arnolfini.