In his third one-year performance piece, from 26 September 1981 through 26 September 1982, Hsieh spent one year outside, not entering buildings or shelter of any sort, including cars, trains, airplanes, boats, or tents.

SD Video 31’ 15 video, colour, sound

This companion book to the exhibition of the same name investigates California’s vital contributions to Conceptual art—in particular, work that emerged in the late 1960s among scattered groups of young artists.

Video recording of Liz Aggiss’s stand-up dance/Live Art performance “A Bit of Slap and Tickle” followed by a conversation and screening with LADA of seminal works by older women artists, including Bobby Baker and Anne Bean.

Audio CD of recordings celebrating The Final Academy and featuring the contributions of Joe Ambrose, ElectroRev, John Balance, De Straatslijper, Testing Vault & The Palgue Doctors for a total of 8 tracks. For related anthology and documentation see REF P2739.

The Retrospective Box is a retrospective of Giovanna Maria Casetta’s practice to date which spans almost twenty years, documented through writings, conversations, images, film and artefacts. The box contains two books, one interview, artist’s notes, slides, postcards and three DVDs – two Artist’s films and one a document of the Artist’s work. Shelved in Oversize publications section.

A book about theatricality and spectatorship in the early twenty-first century. In a wide-ranging analysis that draws upon theatrical, visual and philosophical approaches, it asks how spectators and audiences negotiate the complexities and challenges of contemporary experimental performance arts.

This catalogue documents the multimedia performance project “Situation Rooms” – a multiple simultaneous cinema, augmented reality, and three-dimensional theatre experience.

An anthology celebrating The Final Academy and featuring the contributions of Joe Ambrose, Bee, Michael Butterworth & John Coulthart, Fritz Catlin, Emma Doeve, Paul A Green, Phil Hine, Spencer Kansa, Cabell McLean, John May, Jack Sergeant, John Balance, and unpublished interviews with William S. Burroughs and Terry Wilson. For related audio CD see REF D2190.

Direct Approach is a project based on conversations about violence in film and reality. Participants are asked to describe from their memory the most violent film scene they have ever watched. Then they are asked to choose one of the characters from the film scene: victim, perpetrator or bystander.

Review of the exhibition Performance Now, Queensland University of Technology (QUT) Art Museum, 6 Dec 2014-1 March 2015, Brisbane.