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The Railway Station
This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)
Performing Idea: Reciprocal Aesthetics
Performance Matters, Performing Idea – Reciprocal Aesthetics 7th October 3:00-7:30pm Toynbee Studios. The participation of the spectator in making the meaning of the work of art has been a staple of art and performance practices long before the recent charged debates on ‘relational aesthetics.' Yet art, however solitary, is arguably always a kind of collaboration and involves itself in some form of exchange. What can be at stake in this exchange? Speakers will examine the notion and limits of the idea that contemporary art and performance is a reciprocal affair. They will ask what gets transacted in contemporary art? What is given and what is taken, what is shared and what cannot be shared? This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Showing the wires
Steve Rogers in conversation with Julian Maynard Smith, founder of Station House Opera.
Breaking the frame
On the use of extreme in performance.
ICA Live Weekends: Futures and Pasts
Artist talk.
Who is in Pain? The Transformation of symbol in performances of Marina Abramović
Performance research article.
alumnos dLive
Performances responding to the Pack Performance (Do it yourself) by Joshua Sofaer.
Well Rounded Individual
Copy 15 of unlimited edition.
Cyborgs in Mutation
Review of the California-based company.
Oh Lover Boy
Photography by Manuel Vason. Documenting some of the work of Franko B. Includes his collage work, an interview with Gray Watson, and a text by Sarah Wilson.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195) and the Study Room Guide on One to One Performance by Rachel Zerihan (P1320) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
DIY 7: 2010 Report
Documentation from LADA’s artist-development programme.
Sonia Richli Selected Works
Short extracts from the artist’s work between 2003 and 2006.
