Spanning over 15 years, Occupations is the most comprehensive survey of Jordan McKenzie's work to date. Beginning in the 1990s, through an engagement with body based and queer performance practices, his work has gone on to explore drawing as a live activity as well as questions of class and identity.

For more on Niko Raes’ work, go to www.bodyrefuse.be. Niko Raes is an Antwerp-based artist. Working with his own body in Live Art, Photography, Video and sculpture.

Point. 1: I was just listening to Radio 4 telling me about komodo dragons laying virgin birth eggs, and David Attenborough once taught me about a plant at the bottom of a sea that grows flowers, which become jellyfish, that then give birth to seeds that become plants.

Point. 2: I am a makeshift domestic goddess and my life is in a makeshift world, I’ve got all the right whisks and piping bags, but my apron is stained.

If You Want Bigger Yorkshires You Need a Bigger Tin is a show about Lucy’s ‘to trans, or not to trans’ search for her femininity.

This work is part of a project ‘Life in Bytom’. which was presented at the CSW Kronika in Bytom, Poland, between 24 November 2012 and 26 January 2013. Duration, 27 minutes. Polish with English subtitles.

This manual isn’t for theatre technicians and it doesn’t aim to make you into one. What it aims to do is give you a greater understanding of how to approach, plan and execute technical set ups in order to make your artistic visions a reality.

Critical Art Ensemble is a collective of tactical media practitioners of various specializations, including computer graphics and web design, film/video, photography, text art, book art, wetware, and performance.

The Conversationalist was inspired by David Fosters Wallace’s cult novel Infinite Jest. Twelve artists were asked to contribute to a tour which took its audiences on a 24 hour journey through some of Berlin’s forgotten buildings and sights. One hour full length seven camera mix of one performance of The Conversationalist filmed at the Steffi Graf Tennis Stadium, Berlin, June 2012.

Full length documentation of performance at Volksbuhne, Berlin, December 2012. Running time 1 hour 38 minutes.

Accompanying booklet in French. Performance programme curated by Madeleine Amsler and Marie-Eve Knoerle.