Two parts documentation of performance offering varied interpretations on the aging female solo performing body. Presented in the context of “Fem Fresh” (Sunday 8 June 2014), a collaboration between Queen Mary, University of London and the Live Art Development Agency, featuring presentations and dialogues on, about, and around feminism and age in Live Art.

Three parts documentation of performance questioning some of the tropes associated with contemporary women and the internet. Presented in the context of “Fem Fresh” (Sunday 8 June 2014), a collaboration between Queen Mary, University of London and the Live Art Development Agency, featuring presentations and dialogues on, about, and around feminism and age in Live Art.

Recorded at the Barbican, London, in January 2010, this triptych examines and interrogates the joys and complexities of being a woman. 

Documentation of a performance-installation inspired by the artist’s experience of being attacked in East London.

A two DVD set exploring both Fabre's stage and visual art output. This item can be found in the locked glass cabinet.

Last book of Geography trilogy (including Geography and Tree), three books connected thematically by racial identity and the related dance projects choreographed by Lemon. Illustrated with family photos, original art, and photos of the performance. 

This Fanzine documents a research project in form of a dialogue between the artist and Valentine de Saint Point, an artist of the early 20th century. Includes DVD documentation of the performance “Vibrant Matter / La Metachorie”.

Documentation of a dance project exploring the deep relationship between human and animal and forms of becoming.

A documentary album about the making of the second installation of the Geography Trilogy, Tree, commissioned by Yale Repertory Theatre in 2000 – an elaborate travelogue, documenting dance research selected events and collaborative creative processes.

Documenting 20 years of performance art in Quebec and Canada, the authors describe its beginnings in relation to the artistic, institutional, and political realities prevailing in the early 1970s.