Situates both companies and approaches within the wider context of Flemish theatre and society.
Reviews ways in which sexuality has been explored and expressed in new forms of performance art and dance, women’s contributions to theatre history, and how theatre has represented women over the centuries.
Part of the Library of Performing Rights (LPR) (P3041).
Examines the relationship between an ethics of performance, a politics of place and a poetics of the urban environment.
Part of the Library of Performing Rights (LPR) (P3041).
How are hybrid and diasporic identities performed in increasingly diverse societies? How can we begin to think differently about theatrical flow across cultures?
Review of Jacques Ranciere’s The Emancipated Spectator
What does theatre do for – and to – those who witness, watch, and participate in it?
Groundbreaking study of the new theatre forms that have developed since the late 1960s,. Translated by Karen Jürs-Munby.
Shows the development of SRI from its earliest performance in front of a handful of people in San Francisco to grand spectacles staged for thousands in the US and Europe. Directed by Jon Reiss.
A Study Room Guide on eating and dining as explored in performance
Oreet Ashery, Larissa Sansour Ashery, Paul Wolf, Melissa Wolf