PASSION/Flower

LADA partnered with Shubbak Festival 2025 to co-present Lara Habib Kobeissi’s Nazar, a one-to-one VR performance that engages all five senses in a transformative ritual rooted in protection practices from Southern Lebanon.

Audio documentation of conversation between Lara Habib Kobeissi and Shubbak festival director Alia Alzougbi on Wednesday 11 June 2025.

The conversation explored Lara’s process of making Nazar, including the movement from archival research to intimate world-building through virtual reality, ritual and touch. The talk looked at digital archiving as an act of soft resistance, aimed at restoring collective memory and intangible heritage.

F A U L T L I N E S (2022) is a performance video from SITE, screened at LADA as part of Fringe! Queer Film & Arts Fest exhibition The Body Is a Thing in Time, curated by kane stonestreet.

cock~salt (2025) is a performance to camera by Claye Bowler, screened at LADA as part of Fringe! Queer Film & Arts Fest exhibition The Body Is a Thing in Time, curated by kane stonestreet.

The Hologram is a feminist health militia that produces networks where we can practice skills like trust, communication, and cooperation that will help us outlast capitalism.

A short text and image piece by artist Kira O'Reilly, accompanied by a photo of O'Reilly's "Menopause Gym."

In a cyclical feat of endurance and precision, Blood Show is a raw, euphoric choreography between 3 figures and 75 litres of fake blood. A call to action to put what’s inside on the outside and defend against a violent gaze, Blood Show questions rebirth and how we all carry our ghosts with us.

Article and performance photos from artist Eirini Kartsaki.

Sabrina Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals–where fat bodies were once praised–showing that fat phobia, as it relates to black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of “savagery” and racial inferiority.
Fearing the Black Body argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. An important and original work, it reveals that fat phobia isn’t about health at all, but rather a means of using the body to validate race, class, and gender prejudice.

This guide celebrates the diversity and innovation of queer individuals in London, both historically and today. Delving into the cultural history of queerness in the capital, this book guides the reader through a welcoming spectrum of bars, clubs, shops, Pride events, charities, saunas and sex shops that cater to the LGBTQ+ community.

In this pocket publication Flanders Arts Institute examines new ways of working internationally in the arts. Joris Janssens collects insights and light bulb moments from the research & development trajectory (Re)framing the International.

Still, this house is better than me. It’s going to be torn down and each piece scattered, but it will become something else. The wood will become desks, tables… Now it’s time to empty this house. – Snow in March

If you want to find yourself, there is only one way. Kill anyone who reminds you of you even if just a little. Someone who reminds you of your past, present, and future, all of them are your enemies! They will confuse you, ruin you, take away your freedom, estrange you from this world, and in the end, bury you alive. – The Master Has Come

The baby is my scar. A symbol of my hopeless future. But I don’t consider my scar or my bleak future a bad thing. I don’t regret anything. Though I chose a different path, at least I chose it. It was my choice. I don’t care how things turn out. Even if the end of that destructive path is death, I’ll accept it. Because I chose it. – Red Bus