Art, Live and Videotape

A visual diary zine of the Chines photographer SickGirl’s (@eeriesickgirl) Exile Route between 25 Dec 2023 and 16 Nov 2024.

The Hologram is a feminist health militia that produces networks where we can practice skills like trust, communication, and cooperation that will help us outlast capitalism.

This collection brings together six seminal works of British alternative feminist and women’s theatre from the archive, with a contextual introductory text by Dr. Susan Croft, co-founder of Unfinished Histories.

"TransMission: Sissy TV" is an exploration of the idea of trans archives. And auto-archive of the artist's body, work, costumes, props, hopes, dreams and memories accumulated over nearly three decades of creating queer work.

A short text and image piece by artist Kira O'Reilly, accompanied by a photo of O'Reilly's "Menopause Gym."

In a cyclical feat of endurance and precision, Blood Show is a raw, euphoric choreography between 3 figures and 75 litres of fake blood. A call to action to put what’s inside on the outside and defend against a violent gaze, Blood Show questions rebirth and how we all carry our ghosts with us.

Article and performance photos from artist Eirini Kartsaki.

Based on The Search for Power lecture-performance, this book contains the performance script, designed archival documents, and reflections by the collaborating artist and historian.

Research Highlights: Documenting and understanding experiences of backlash currently being received against LGBTQIA+ cultural programming and/or creatives in the UK’s cultural sector from 2020-2025.

All about Chinese feminist Queer diasporic sisters and publications. Pubis Magazine #2

Sabrina Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals–where fat bodies were once praised–showing that fat phobia, as it relates to black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of “savagery” and racial inferiority.
Fearing the Black Body argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. An important and original work, it reveals that fat phobia isn’t about health at all, but rather a means of using the body to validate race, class, and gender prejudice.

A 5ª edição do Festival Imaginários Urbanos foi uma realizaçao da Plataforma Imaginários com apoio institucional do Instituto Juvenude Inovaçao, Rede Juv, Instituto Mirante de Cultura e Arte, Pinacoteca do Ceará, Estação das Artes, Instituto Dragão do Mar, Theatro José de Alencar, CineTeatro São Luiz, Hub Cultural Porto Dragão, Centro Cultural Dragão do Mar, além do parceria com Espaço Chão, Bela Maré e Observatório de Favelas.

This publication is in Portuguese (Brasil).