The British Guide to Showing Off

Artist/Author: Ashley Chang | Editor: Ute Meta Bauer, Nav Haq, Mark Lewis, Adeena Mey, Charles Esche, Mark Lewis | Reference: A0936 | ISBN: 978-184638-217-8 | Type: Article

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

pg. 59-67

In Acts of Affect, siren eun young jung returns to the disappearing Yeoseong Gukgeuk theatre. In her discussion of the project, Ashley Chang examines how masculinity is produced by women.

Artist/Author: Hyunjin Kim | Editor: Ute Meta Bauer, Nav Haq, Mark Lewis, Adeena Mey, Charles Esche, Mark Lewis | Reference: A0935 | ISBN: 978-184638-217-8 | Type: Article

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

pg.49-57

Hyunjin Kim contextualises siren eun young jung’s audio-visual work at the 2019 Venice Biennale in relation to queer performance in South Korean history.

Artist/Author: Woon Tien Wei | Editor: Claire MacDonald | Reference: A0928 | ISBN: 978-0-415-26311 | Type: Article

Performance Research Vol 6. No. 1. Spring 2001

Departures

The first of three related issues which engage with the migrations of people, performance and performance cultures, generating writing around differing geographies and histories of travel and travelling performance in a diversity of written and visual forms.

Between Journeys : an Interview with Lee Wen

Woon Tien Wei

pp. 3 – 7

Artist/Author: Diane Torr | Editor: Stephen Bottoms | Reference: P4221 | ISBN: 978-0-472-07102-9 | Type: Publication

This title offers the gender-bending performances of Dlane Torr, creator of the Man for a Day workshops. This book documents and contextualizes the development of Torr’s internationally celebrated workshops, as well as her own ongoing experiments in performing gender-play in theaters, galleries, and clubs.

Artist/Author: Jet Moon | Editor: SonIa Elks | Reference: P4220 | Type: Publication

Interviews with people at the intersection of disability, queerness, kink, sex work and survivorship.

Artist/Author: Dolly Sen | Reference: P4219 | Type: Publication

A Study Room Guide by writer, filmmaker, artist, performer and activist Dolly Sen looking at madness and mental health

Artist/Author: Beth Watton | Editor: Richard Gough, Nanako Nakajima | Reference: A0915 | Type: Article

On Ageing (&Beyond)

Performance Research Volume 24 Issue No 3 April/May 2019

pg 40-48

Artist/Author: Vanessa Damilola Macaulay | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomassona | Reference: A0911 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p4-20

Artist/Author: Fintan Walsh | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0906 | Type: Article

Contemporary Theatre Review Volume 31 Issue Number 3 August 2021

Artist/Author: Owen Parry | Editor: João Florêncio, Owen Parry, Martin Hargreaves, Thom Shaw | Reference: A0905 | Type: Article

Owen Parry interviews “legend, icon, wild-hearted demoness bad-girl bitch” – Penny Arcade.

DANCE THEATRE JOURNAL Vol 24 no.3 2011
pg43-47

Artist/Author: Vikki Chalkin | Editor: João Florêncio, Owen Parry, Martin Hargreaves, Thom Shaw | Reference: A0904 | Type: Article

DANCE THEATRE JOURNAL Volume 24 no.3 2011
pg 15-19

Artist/Author: T. J. Bacon | Reference: P4212 | ISBN: 978-1-78938-530-4 | Type: Publication

Applying a queer phenomenology to unpack the importance of a multiplicity of Self/s, the book guides readers to be academically rigorous when capturing embodied experiences, featuring exercises to activate their practices and clear introductory definitions to key phenomenological terms. Includes interviews and insights from some of the best examples of transgressive performance art practice of this century help to help unpack the application of phenomenology as Bacon calls for a queer reimagining of Heidegger’s ‘The Origin of the Work of Art.’