F A U L T L I N E S (2022) is a performance video from SITE, screened at LADA as part of Fringe! Queer Film & Arts Fest exhibition The Body Is a Thing in Time, curated by kane stonestreet.
Artist/Author: Claye Bowler | Reference: EF5414 | Type: Digital File
cock~salt (2025) is a performance to camera by Claye Bowler, screened at LADA as part of Fringe! Queer Film & Arts Fest exhibition The Body Is a Thing in Time, curated by kane stonestreet.
Artist/Author: The Hologram | Reference: P4315 | Type: Publication
The Hologram is a feminist health militia that produces networks where we can practice skills like trust, communication, and cooperation that will help us outlast capitalism.
Artist/Author: Susan Croft, Jane Arden, Pan Gems, Hesitate and Demonstrate, Melissa Murray, Natasha Morgan, Winsome Pinnock | Reference: P4314 | ISBN: 978-3-945247-36-5 | Type: Publication
This collection brings together six seminal works of British alternative feminist and women’s theatre from the archive, with a contextual introductory text by Dr. Susan Croft, co-founder of Unfinished Histories.
Artist/Author: Ocean Stefan | Editor: David Caines, Mary Kate Connolly | Reference: A0944 | Type: Article
In a cyclical feat of endurance and precision, Blood Show is a raw, euphoric choreography between 3 figures and 75 litres of fake blood. A call to action to put what’s inside on the outside and defend against a violent gaze, Blood Show questions rebirth and how we all carry our ghosts with us.
Sabrina Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals–where fat bodies were once praised–showing that fat phobia, as it relates to black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of “savagery” and racial inferiority.
Fearing the Black Body argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. An important and original work, it reveals that fat phobia isn’t about health at all, but rather a means of using the body to validate race, class, and gender prejudice.
Este livro é composto de narrativas simbólicas construídas por diferentes mulheres, tendo como disparador criativo as memórias e vivências da orla e da cidade de Fortaleza. Suas palavras presentificam a forma como o corpo e a subjetividade feminina constituem historicidades para além das impostas sócio-historicamente. Mergulhar nele é entrar em outros mares.
In this pocket publication Flanders Arts Institute examines new ways of working internationally in the arts. Joris Janssens collects insights and light bulb moments from the research & development trajectory (Re)framing the International.
